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East Atlanta Crowns a Filthy New Miss Glitz

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Photography by Jon Dean

Photography by Jon Dean

Rarely does a drag talent emerge that manages to both enthrall, enamour, and disgust audiences all at once.

Far from a simple shock queen, Molly Rimswell has begun to leave a resounding impression in dingy bars east and west of the city. Her performances range from the cerebral to the absurd, the heart wrenching to the gut-busting. She’s an all around Superstar and having recently taken her place as Glitz(!) show-runner at Mary’s—and on the throne that comes with the title—her work is only beginning.

Molly will be curating the long-running monthly drag revue and it’s been rumored that she plans to make the show bigger, better, and more regular than ever (regular weekly Drag in the East Atlanta Village?! We’re alive).

Performing since 2013, Molly first competed in Miss Glitz last year. "I made an outfit out of bubble wrap. I deserved to go home," she told us.

WUSSY recently sat with her and asked her a round of questions, attempting to get more cozy with our favorite reigning swamp witch (we miss you Lavonia Elberton!).
 


Where are you from?

I was born in a double-wide trailer in Gainsville, GA, but I moved to Peachtree City (land of Golf Carts and Starbucks) in 2001.
 

What do you do by day?

Is this the part where I backdoor brag about how busy I am?
I am a skin esthetician and sales person by trade. I'm also a full-time student, working on my masters, at Georgia State University.


How would you describe your drag style/character?

I'm a big, dumb idiot and I guarantee you that I have absolutely no idea what I am doing. However, I have a butt-ton of energy and I love to party.
 

As the reigning Miss Glitz, what do you hope to bring to the Atlanta drag scene? What needs to change in the ATL drag scene?

I want Atlanta drag to be more inclusive and remind people that this is fun. Atlanta has a massive and historic drag scene and there are so queens/kings/and those that identify as either, both, and neither, but we have a really bad habit of comparing ourselves to the other "success stories" of our town. I want performers to embrace their weird and shock the crowd with a new, twisted perspective. 

There are so many ways to perform drag and each one is valid and beautiful. Drag is weird and, above all else, a statement that challenges societal expectation and norms. In short, I want Atlanta drag to hypnotize the world and incite social change that propels us into a more loving future.
 

Photography by Jon Dean

Photography by Jon Dean


Who are you drag inspirations and why?

Lucille Ball - she's the queen of all things outrageous
Larry the Cucumber - embodies my awkward and tries to make it work
Vivian Westwood - deconstructed monarch fashionz
Vestal Goodman - this woman has all of my hair goals
Dolly Parton - She doesn't give a shit about what anyone does. She just wants to have a good time.
Debbie Harry - She also doesn't give a shit about anyone. She just wants to dance.

 

GLITZ(!) returns on July 20th at Mary's ATL. RSVP HERE to see more Molly!


ATL Missed Connections - July

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The queer dating scene in Atlanta can be a strange and intimidating beast. It seems the only way to meet people these days is on hookup apps like Grindr or Tinder. But what happens when that love-at-first-swipe strange encounter you met at Flex disappears and you don't even know their name? Craigslist. 

We culled the internet for the weirdest Missed Connection ads coming out of Atlanta.
This is what we found.

 

Wine Tasting Slut – m4m

Age: 23
Height: 5’8 (152 cm)
Body: corked
Status: aerating

We attended the same wine tasting. It was at Kroger, so you know it was fancy.

I was the guy wearing an all Jelly/PVC plastic tux and no underwear guzzling the wine tasters’ spit bucket. When you’ve tasted the spit of 53 strangers, you’ve tasted luxury.

You were standing in front of the free samples table, or as I call it, a five-star restaurant. You wore an all-white tux to a wine tasting. It’s clear you love danger and taking risks. You were eating from a trey of Thicc Pockets, the Kroger brand of Hot Pockets. I like how you eat by only using your tongue. I went up to talk to you, but the moment I spoke you spat in my face. It was hot.

Your spit was my favorite. The mixture of cabernet and, I want to say (swigs mouth), beef jerky cleansed my palette. At most wine tastings, the spit is mostly backwash and the occasional chewing tobacco. Your spit had character and depth, like the cast of “Pretty Little Liars.” I would have asked for more, but I passed out from arousal overload.

If you’d like to pop our anuses like a bottle of 1945 Chateau Mouton-Rothschild, meet me in aisle 5 where they sell their Thicc Pockets. I’ll be waiting with my bucket.

 

My Dog Boner – m4dog

Age: 7 (in dog years)
Height: 2’ (61 cm)
Body: Air Bud
Status: Who’s ah good boy?!

I stopped by the dog park in Reynoldstown on my way to work. I don’t own a dog, but I’ve always wanted to shoot one behind a shed.

I was sitting on the bench wearing a crop top that only covered my neck and unfinished shorts I bought from my cousin’s Etsy. I was also eating a cheeseburger with no cheese. I was about to leave till I saw you with your owner.

Your owner was a woman in her early 20’s with blonde hair, Chanel sunglasses, and a Dennis Rodman clutch. You were a Golden Retriever wearing a doggie cone, which is uncanny because I wear one when I masturbate.

As soon as you arrived, you marked your territory by peeing on the other pups. Like in When Harry Met Sally, I had a fake orgasm looking at you. It stirred something inside I haven’t felt since I hit that lizard-person with my car and kept driving. You had the personality of a top dog, but I was too much of a pussy to talk to you.

I want take you home and read “Where the Red Fern Grows” while you nibble on an enema chew toy. I want to drop you off on the other side of the country, and touch myself till you find your way back home. I want you to lay next to me on my deathbed and become the host for my new body. Together, you and I will be unstoppable. Like Oprah and Gayle, or Oprah and Oprah.

If you want to be the golden receiver of my affection, follow the scent of my taint. Careful, mine smells at lot like a Pug’s anus.

Why I'm Done with Tyler the Creator

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It looks like Tyler the Creator finally came out of the closet.

Perhaps some forgive him now for using the word ‘faggot’ since it turns out he was one of us all along. Maybe he simply was overcompensating in his heterosexual behavior so as not to raise suspicion. I can understand that instinct in a closeted or questioning person as a defense mechanism. I can even understand the use of language as provocation for conversation, and that his antics and wild lyrics seem to stir up so much buzz and controversy that it is a feat and art form in itself.

Here’s where I draw the line. One of the first things Tyler discusses when announcing his attraction for men is that he likes white boys. Not only that, but he doesn’t find black men attractive: “I don’t like Black dudes at all. I’m into White guys.”

This bullshit hurts. Again I find another black man so entrapped in white supremacy that he can’t find beauty in his own people. I find a black man whose creativity and energy paved a new aesthetic for black men, empowering thousands of black youths to develop their own rebellious black swagger only to see the same man tell these people they don’t have what it takes to appeal to him. I loved him because I thought he was proud of his blackness. I thought he wore that whiteface makeup for fun.

I’m tired of writing the same article, about how the way (gay men especially) talk about preference and how it puts the value of one person against another based off of prejudices. Hell, it’s been written about time and time again. But I’ll keep writing it because I won’t let people keep telling me I’m lesser than any goddamn body. You’re black, Tyler. Your friend Frank Ocean is black. So many of your young fans are gay and black.

We’re not ugly, we’re fucking beautiful. Damn whatever convinced you otherwise. I’m sorry you can’t see it in us, you probably don’t see it in yourself, but it’s true. I hope you make room for yourself to chill out and figure some things out. In the meantime, I don’t want you anyway.

 

Nicholas Goodly is a graduate poetry student at Columbia University. He is the current art editor of Columbia Journal Online and writing editor of WUSSY MAG. 

Artist Barry Lee on Bisexuality & Disability Activism Through Art

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Photo: Barry Lee

Photo: Barry Lee

Barry Lee is no stranger to the streets of Atlanta -- or the walls.

The bright colors and soft lines of his playful murals can be seen on the streets of Cabbagetown or tucked cheekily into a corner of Octane - Westside, among many other places. Though he’s known for his whimsical illustrations, Lee is experimenting with new mediums in his upcoming show, How Nice, an installation of Murmur Media’s ¼ (Quarter) Program. 

Murmur’s ¼ Program allows guest curators to use Murmur’s space to serve up some creative realness, working for three months to create a program or event to share with the community. How Nice explores the intersections of Lee’s identity as a disabled, bisexual man through photography, sound and video installations, drawing on a lifetime of experience.

WUSSY was able to sit down with Barry Lee to dig deeper into the thoughts behind his art.|
 

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WUSSY: How did you become a part of ¼ Program?

Barry Lee: I was wanting to build this body of work for a long time and I had come into a really weird place in my life where people were really enjoying the illustrations and paintings that I was doing, but I felt like I needed to say something more because of certain life experiences that kept popping up. [I needed to] start to really focus on my own being, my own psyche in some senses. So I talked to some artist friends and Amanda Mills (founder of Murmur Media) suggested that I apply for the ¼ Program. So, I wrote up a proposal. Originally the proposal was based off of paintings, and they accepted the proposal and we started meeting and things started happening. It turned into a totally non-painting form and show.

 

WM: So, you’ve been wanting to do this for a while. What made you finally realize that now is the time that you need to do this with your art?

BL: All of my life I deal with people staring at me and asking really invasive questions about my syndrome. My syndrome is very rare. There are only about a hundred recorded cases. So people would mistake me for being in a car accident, being retarded or mentally challenged. I was getting really fed up with these questions, and I was getting really frustrated. I kinda reached a breaking point where I pushed back to the questions and I would tell people, "You know, I don't owe you an explanation for me just living." I started to post these stories and these happenings on Facebook and they gained a lot of traction and people reacted to them. But also, it was sort of a thing where I didn’t want to become that person on Facebook that only complains about these things, these encounters. I felt like I needed to kind of put these encounters and these stories out there to bring awareness and to bring a different narrative to disability because the narratives that come out are very wholesome and very timid. For me, I don't see myself as a sympathetic character. I don't see myself as somebody to sympathize [with]. I wanted to create a body of work that created more empathy and created more understanding and to put you in my shoes, to maybe not change your mind, but to give you a different perspective to what you see.

Photo: Barry Lee

Photo: Barry Lee

WM: You have these two intersections as both bisexual and disabled. How are these expressed in your show?

BL: I came out as bisexual to friends and family in my early twenties and really came out to myself within the last two years. I think there is a difference in terms of just acceptance and understanding yourself and loving yourself. I felt it was a really important aspect to touch upon my bisexuality and queerness because there's so much bi-erasure going on. When I was younger, I knew I was bisexual ever since I was five. But I grew up in a very small, Southern town where you were either straight or you were (whispers) gay. Growing up in the 90's I never really saw bisexual representation, so it was a very weird thing where I was like “well I like women, but I also like men.” So I was doing this thing where I was really trying to understand what that was, and I definitely shooed that away for a long time because it was just so foreign to me. I wasn't exposed to positive bisexuality.

So, with the show, you see me in very tender relationships with men or women. It's not really a sexual show, in terms of, like Robert Maplethorpe or Tom of Findland-type situations. It's very tender. I think we need to really show that that is a possibility. I would see very non-monogamous characters in bisexuality. There's nothing wrong with non-monogamy if that's what you want, but that was the main portrayal I saw in correlation to bisexuality. I would also see a lot of people not trusting bisexual people. They're the same idea. Just showing somebody who is in these relationships with people is important.

 

WM: Your other art - your murals and illustrations - are a little more whimsical and far-fetched. How has it been to produce such a deeply personal exhibit?

BL: It's been a tough several months making these pieces because I've been keeping them very tight-lipped and very much to myself. So it hasn't been the easiest, but it's been the most rewarding because it's been truer to myself. I think people see one side of this very cheery portrayal of what I create. I think as artists and as people, we all have different facets of ourselves and we as artists have the right to do different mediums and to challenge our audiences. If you have a platform to challenge your audience, you should. I have a platform. For so many years, I was looking for what I'm making and I had to swallow the realization that I had to be the one to make it. It's a very vulnerable show. It's a little absurdist. Some of it's confrontational, but there is a correlation between my illustration work and this photography work because there's a lot of color, a lot of humor in them. There's a lot of over-exaggeration, as well. So these carry through and bleed through, but it’s just a little more adult and a little more of me.

 

EW: You use a lot of pink throughout the exhibit. Why pink?

BL: I think pink was always a color that I was fascinated with. It's one of my favorite colors. It's interesting how pink has become this very feminized color. Years and years ago, pink was a very gender-neutral color. I thought it would be interesting to use that color as the main focus. Also, I use a lot of pink in my paintings and illustrations, and I wanted to carry that through as a kind of constant. Also, for me, I don't feel stereotypically male. I'm not masculine or feminine, just Barry. I thought that the pink would be an interesting way to say that, but I also wear a lot of black in it. So the pink and the black, even with the neon sign that will be hung up, those two juxtapositions serve two purposes as masculine and feminine, as a duality, and I wanted to portray that duality. For me, I don't subscribe to an archetype of male portrayal.

 

WM: While your disability may be more immediately noticeable to people, your sexuality isn't. So how does that manifest in How Nice?

BL: It's open… These images are very tender. They're tender in expression. They're tender in showing bisexuality without being glaringly obvious. You have to really think about that you're surrounded by the work of a bisexual artist, and that's what I wanted. This show is about deconstructing normality and reconstructing it to my normality. So I wanted to show my normality and part of my normality is bisexuality, which isn't a normality for many.

 

Photo: Barry Lee

Photo: Barry Lee

WM: You've chosen to include sound and video, which you have never done before. What lead you to make that decision?

BL: Well, I'm deaf. So, first of all, sound is a very interesting thing because I'm an auditory learner. Not ironic. And I love music. I'm a musician as well, and I love electronic music and I rely on a hearing aid - another electronic device - to hear. So I'm really attracted to sound, but sound also repulses me and overwhelms me. I can't be in crowds for too long because I have to rely on my hearing aid, but I also have to rely on my eyes to lip-read. So I’m really relying on two senses to hear. So I wanted to recreate the feeling of overwhelmingness through video and sound in some pieces to kind of give you a better understanding of how I hear, and how I see and how we might utilize our eyes to hear more than we recognize….And I love film. So I wanted to start toying with video and sound and all of that. I wanted to play with the things that I have a passion for besides painting and this has really allowed me to do that.

 

WM: Do you see How Nice as a work of activism?

BL: Absolutely. Absolutely it is. I don't think that I realized that until I stood back and was like "Woah," and I definitely do. I feel it’s important to share these stories, and I also understand, though, that these stories and these ideas, not everybody will agree with. I think we’re so used to simplifying things and feeling sorry for people with disabilities that we might not take a moment to actually just understand who they really are and understand that we are all trying to survive and live in the same world. People with disabilities are just trying to adapt, but we all have to adapt. We all have different ways of doing things. So why call out the disabled people for doing things differently when even able people do things differently?
 

WM: Do you think this progression in your style notes a growth in yourself?

BL: Absolutely. I think that this has been one of the toughest and most gratifying pieces and it has been hard. It has been very hard, but I definitely think there has been growth. People that have seen one thing from me, hopefully, can gain something else from me. I think it’s important right now to share that story and to share my experience. That is overweighing everything - all the frustration and fear - the fact that I still haven't seen this. I think about when I was little how I didn't get representation when I was a kid. I really think about the artists that I looked up to when I was younger who I realized where gay and queer artists, and I was like, "Oh, they don't just represent the stereotype. They’re going in their own path and veering that way and expressing themselves in very different ways.” I just want to be able to have expression in different ways, not just one expression.

 

WM: What we can expect from you in the future?

BL: I don't know. I'm kind of letting life take me where it needs to go after this. I think How Nice isn't over after the show. I don’t know where that will manifest and how, but that work will not be over because my work in an activist's sense and a sense of speaking up and speaking out is not over. I know that this show won’t change the world, but if it helps at least some people walk out with a better understanding, I did my job.

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How Nice opens Saturday, July 29 from 7-10:30pm at Murmur on Broad Street. 
 

Elizabeth Wolfe is a student at Agnes Scott College. When she's not studying, she spends her time writing book reviews and interviewing interesting Atlantans. 

Who Needs Gay Books?

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On a sunny afternoon in November 2016, I opened my email inbox to find an urgent message from a colleague who works at a local history museum. She said that the board was pressuring her to throw away a stack of books featuring photographs of drag and burlesque performers. They are “a little racy,” she said. So, the next day I drove to the museum, grabbed the books, and threw them into the back seat of my car.

Three months later, in February 2017, a sympathetic staff member at the local public library set aside another pile of books for me. These were volumes about homosexuality, gay history, gender identity—books that library staff had weeded off the shelves to make room for newer titles. These books were destined for the dumpster, so I put them in my bag and walked away.

If it sounds like I’m some kind of gay-book-saving caped crusader, you are not wrong. Although I do not wear a cape, I am part of a team of volunteer queer librarians affiliated with the Southwest Virginia LGBTQ+ History Project, a grassroots public history initiative that I helped found in Roanoke, Virginia in 2015. The LGBTQ+ History Project is a multifaceted organization committed to researching and interpreting the diverse histories of queer and trans people in our little corner of the world: the foothills of Appalachia. Some call this place the Bible Belt. We are a region known more for Jerry Falwell than for queer liberation.

Every Sunday for the past year, approximately a dozen of us have worked to catalog and digitize the records of one of the largest private LGBT libraries in the country—a library miraculously located right here in Roanoke. We sit around two conjoined tables in the back room of the Roanoke Diversity Center, our local LGBTQ community center, clicking our fingers on computer keyboards, entering data about obscure gay books, while munching on snacks, listening to indie music, and talking about our queer lives.

We have bonded with each other—and we have also bonded with the books, developing what I call “queer bibliophilia.” Bibliophiles are people who love books. But what about queer people and our books? Do we queer folk not have a unique relationship to the printed page? When I get a call to save yet another stack of imperiled gay volumes, what motivates us to the rescue? Who cares about gay books?
 

The Roanoke LGBT Memorial Library, located at the Roanoke Diversity Center in Roanoke, Virginia

The Roanoke LGBT Memorial Library, located at the Roanoke Diversity Center in Roanoke, Virginia


Jim Ricketson began collecting gay books in Roanoke in the 1990s. Before his death in 2000, he had assembled nearly one thousand volumes. His friend Ed Harris vowed to carry out Ricketson’s dream of turning the private collection into a circulating library. At the time, public libraries, especially in the South, did not carry very many LGBT titles. The books they did carry were often scientific or religious in nature, classifying homosexuality as a disorder or sin. Popular gay and lesbian fiction rarely found its way onto library shelves.

A team of volunteers assisted Harris, and on December 6, 2000 the dream came true: the Ricketson GLBT Memorial Library opened to the public. Yet, within two years, they were asked to vacate the building where they were leasing space. Volunteers recount that other tenants in the building found some of the library’s flyers “objectionable.” The group then attempted to rent space on a narrow block downtown, adjacent to Roanoke’s last remaining gay bookstore and a gay church. But they could not raise the funds needed to keep the doors open. One year later, they boxed up the books, but not before expanding the collection to nearly three thousand volumes.

Over the next decade the library shuffled around town. A local HIV-testing clinic reopened the library in the mid-2000s. When they downsized and could no longer house the books, the library then moved inside the Metropolitan Community Church, an LGBTQ-oriented church in Southeast Roanoke. Volunteers reopened the library there in the early 2010s. Then, after a few years, it shut down again.

When the library first opened in 2000, it filled a vacant role in our community. There was no community center back then. All that existed were the bars. And in contrast to the gay-male-dominated spaces of bars and nightclubs, the Ricketson library catered to underserved audiences. They held a lesbian book club, leading to a tremendous expansion in the library’s lesbian fiction collection. The library also hosted one of the region’s first transgender support groups. It was a community space. A queer space.

Indeed, queer books were never just about reading. In the second half of the twentieth century, gay bookstores were critical sites of consciousness-raising as well as sexual experimentation. Some bookstores had video carousels in the back where men watched pornographic films. You could masturbate there, or engage in sexual encounters. Others met their lovers in a gay bookstore, beginning a romance, say, over a shared love of Rubyfruit Jungle. But then gay bookstores began to disappear. The city of Roanoke, for instance, attempted in the 1970s and 1980s to use obscenity laws to shutter the adult bookstores downtown. Ultimately, a devastating combination of policing, downtown gentrification, and the rise of the Internet left Roanoke with only one remaining gay bookstore by the turn of the twenty-first century. In 2004 they shut their doors, too.
 

Library work is performed entirely by queer and trans volunteers, ranging in age from fifteen to seventy but mostly in their twenties and thirties.

Library work is performed entirely by queer and trans volunteers, ranging in age from fifteen to seventy but mostly in their twenties and thirties.


Today, a new generation of young LGBTQ people are engaging with the previous generation’s books. Our volunteer librarians represent a diverse rainbow of ages, genders, and sexualities, from a surly fifteen-year-old high school student to a former gay liberation activist, now approaching seventy years old. On average, we are mostly in our twenties and thirties. This means that the majority of us grew up on the World Wide Web. We explored our own queerness through Yahoo searches and in chatrooms, on Tumblr pages and watching Youtube videos. Holding gay books in our hands feels strangely historical and perhaps even religious. Someone will read out loud from the back cover of a lesbian sci-fi feline-themed fantasia and we can’t help but laugh. “What the f––– is that?” Then someone picks up a gay manifesto from the early 1970s arguing for ethical love between adult men and underage boys and we all cringe. This leads to a vigorous debate about whether to tag the book, ahistorically, as “rape.” The range of emotions that we feel handling these books is truly profound. The sheer volume of titles about AIDS, for example, is a reminder not just of a generation lost forever, but a generation that we personally never knew. All we have are the books that comforted bereaved lovers and forsaken parents. It is humbling to hold these in our hands.

When we reached six months of volunteer work on the library, we decided to celebrate by holding a ten-hour “Librarathon.” From 2 p.m. to midnight we catalogued hundreds of books, taking breaks to eat local Chicano food and perform dramatic (and oftentimes comical) readings of some of the finest selections from our collection. One volunteer read from the 1969 classic Hi-Ho the Cherry-O, which is so poorly written that we guessed it was simply printed as a vehicle for the black and white photographs inside of young men in knit sweaters wearing no bottoms. I myself read from the 1990 Alyson Publications volume Lavender Lists. Imagine if Buzzfeed’s top-ten lists were really queer and printed on paper. That’s this book.

 

The Roanoke LGBT Memorial Library held a Librarathon, a ten-hour marathon cataloging session featuring dramatic readings from the collection, on March 11, 2017.

The Roanoke LGBT Memorial Library held a Librarathon, a ten-hour marathon cataloging session featuring dramatic readings from the collection, on March 11, 2017.


As we approach completion of this project—namely, the creation of a digital catalog of the entire Ricketson collection—we dream of turning Roanoke’s seventeen-year-old gay library into a new community space. The Roanoke Diversity Center is the current owner of the library, and soon those who enter the center will have the opportunity to browse the books. I imagine authors reading queer poetry and signing copies of their publications. We can host book clubs again. Perhaps students will come here and examine how gay books have changed over time: the language used in psychology manuals, or the cover images on lesbian pulps.

But who needs gay books? Now that we have the Internet and we can create our own content online, why would anyone—especially young LGBTQ people—want to spend their days leafing through scientific manuals, outdated guidebooks, and crummy sci-fi? Perhaps it is because these volumes are one of our only living links to the past. Books arguing for and against same-sex marriage in the 1990s put into perspective an issue that many of us take for granted. Gay guidebooks from 1960s-era New York City remind us how secretive and potentially dangerous it was to find each other just two generations ago. The poetry of Walt Whitman still offers us clues for unlocking our erotic desires and celebrating the bonds of our common humanity. And lesbian cats in outer space? Well, why the hell not? We are a creative and resilient people. Our queer ancestors could not see themselves in the literature of their era, so they wrote themselves and the world they wanted to see into existence. It is a tremendous gift to us that we can read their words and learn from their struggles and experiences. There is a kind of transgenerational solidarity and a gender and sexual euphoria that comes from holding a gay book in one’s hands. Call it queer bibliophilia.

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Gregory Rosenthal is Assistant Professor of Public History at Roanoke College and co-founder of the Southwest Virginia LGBTQ+ History Project. Explore more of their work at gregoryrosenthal.com.

Acid House, Androgyny, and the Cult of the Club Kids

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Drag evolution is difficult to trace, but there was a turning point when the art of drag became less traditional and more confrontational. Perhaps the advent of Divine, collaborating under visionary John Water’s B-movie punk paradisco, paved the way for an aggressive approach not confined to kitsch or camp, glamour or comedy. Embracing filth, Divine and Co. as a freak scene pushed limits and defied convention with their clownish garrish filth and wild parties, perhaps proto-club kids in their own weird way.

Though hints and homages to Hollywood and Broadway will never die, queer culture’s dramatic entrance into the mainstream during the dirty drug-fueled late 70’s allowed for further exploration. NYC’s visual and performance art, a la Andy Warhol and trans icons like Candy Darling, revealed the possibilities of a queer art spacescapes many were eager to orbit into. Gay culture’s departure from disco, and even away from punk, also distanced it from the previous oversimplified ideologies of gender expressions.

Queue New Wave. Blurring binaries and drenched in fantasy, New Wave as one of the first golden eras of a more feminine-leaning androgyny found presentation-exploration widely accepted in popular culture (hi Boy George, miss you Prince). What moonlighted to conservatives as “gay” or “drag” was no longer confined to old terms, swiftly reinvented in an anything goes clusterfuck of synth and flashy clothing. Even the straights were breaking the mold ie macho metal bands with lipstick and teased hair throughout the 1980’s.  

New Romantics, like the glam rock era before, worked hard at their outfits, their entrance, indulged drama and most certainly drugs. By the mid-80s, Europe had a strong acid house scene, which provided a proper meeting ground for gay nightlife. In many ways acid house helped to create homonormative culture by borrowing street fashion, adhering to the recognizable smiley face logos, fresh faced fun for the current hookup culture. As the name describes, being a subset of house music made it accessible. Major European and American cities replicated elements of fashion and sound inspired by acid house to make popular hits. More importantly, acid house would support the development of rave culture.

Over the great big puddle—aka the Atlantic—New York City was developing its own version, welcome if not built by queers and fueled by drugs. “Club kids” weren’t confined to traditional venues like the famous Belgian acid house venues. Hosting “outlaw parties” (as recounted in this Village Voice article), club kids were known for bringing elaborate conceptual looks to random pop-up locations. Relying on and competing with outrageous outfits, there is no denying that club kids consequently altered queer dance culture permanently.

Promoter and murderer Michael Alig and best frienemy James St. James (who penned Disco Bloodbath, turned into the film Party Monster) essentially created their own fame. Central in the late ‘80s club culture their intense dedication to creating the most outrageous looks bent rules and reinvented what previously was only grazed upon by drag. With vagabond abilities to tie together the alien and absurd, Nelson Sullivan documented many of the club kids adventures in the late ‘80s and early ‘90s before the shit hit the fan. Leigh Bowery raised making looks to a form of art and Amanda Lepore’s socialite style surrounded herself with rising underground fashion and club scenes even today.

Of course, club kids in general grew and grew, through many different musical styles from trip hop to electroclash. Club kids change with electronica’s ever evolving sub-genres and junk culture fashionista creations, but have always created a haven for queers. Eventually mainstream drag culture would incorporate stylings forefronted by individuals like Thorgy Thor, Violet Chachki, Shea Coulee, Sasha Velour, Milk, and more.

WUSSY Prom this 2017 will honor the extra(terrestrial) with celebration of club kid, tranimal and acid house creations (though feel free to arrive in traditional prom attire). Hosted by Violet Chachki and tranimal icon Fade-Dra Phey, the party starts at 10pm at Jungle.

Click below for tickets. 

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Atlanta's ICON Party Celebrating J LO & SHAKIRA

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It’s no secret that ICON has become one of our favorite Atlanta nightlife staples.

This multifaceted artist showcase empowers local queer artists to think outside the box, all while performing to some of our favorite Beyonce or Lady Gaga bops. The ICON crew took on Missy Elliott + Nicki Minaj in July, and on Saturday, August 19th, they will be celebrating two of our favorite Latina superstars, Jennifer Lopez + Shakira.

Not only have these two inspiring artists changed the pop music landscape over the last two decades, they are also both incredibly skilled dancers. And in case y'all forgot, She Wolf was the best song of 2009, so I better see your asses bouncing, okay! 

The night will be DJed by friend-of-WUSSY, Esmé (La Choloteca) and include performances by Ashley Young, Christopher Lewis, John James, LaRico, Taylor Alxndr, Terrace Black and more!

 

WUSSY will be in the house running a photobooth from 11 - 1AM, so come find us!

In addition to a night of burlesque, drag, dance, and aerial/trapeze acts, ICON will also be giving away a pair of weekend passes to the Imagine Music Festival. Details on how to win will be announced that night!

Presale tickets are available for purchase HERE. Don’t wait, because prices go up after Midnight. Use the discount code “WUSSYMAG” for a cute discount upon checkout!
 

Ramzan Kadyrov is no stranger to genocide

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In the last few months, global attention has been focused on the torture and murder of gay men in Chechnya.

A new and extremely comprehensive report was released by the Russian LGBT Network, an activism and advocacy group with offices located throughout Russia. The report outlines horrific violations of human rights; including tales of gay Chechen men being beaten, electrocuted, interrogated, murdered, and raped with barbed wire.

As Americans it may be hard for us to wrap our heads around the severity of the situation, and to comprehend how this instance of genocide began. Following the theme of literally all of history, much of the blame falls on the fragile masculinity of one white man in power.  

After a terrorist bombing killed his father, Ramzan Kadyrov was appointed to serve as deputy prime minister of Chechnya. The year was 2004, and the Chechen republic was broken. After having survived several years of civil war and repeated terrorist attacks (perpetuated by both the Russian government and rebel groups), Kadyrov set out with a seemingly noble goal: to fix the decimated infrastructure.

The problem?

He used blood money to do it.

Putin gave Ramzan a form of political immunity, allowing him to employ whatever means he chose to squash Chechen opposition to the Russian government, mainly in the form of eradicating extremist Muslim groups who wished to secede from the Republic.  

Kadyrov agreed to attack these radical, violent groups, and in return the Russian federal government came up with vast amounts of money for his reconstruction project, some of which, according to Radio Free Europe, was kept by Kadyrov for his own personal use.

According to the report released by the Russian LGBT Network, Kadyrov used violence to suppress and exterminate separatist groups, leading to an overall decline in opposition to his regime. After having accomplished his disgusting goal, Kadyrov set his sites on a new form of extermination—launching a campaign to appeal to the extremely conservative values of the Chechen people.

In 2013, six years into his presidency, Kadyrov and his police force went after local Salafi Muslims, rounding up men who fit stereotypical depictions and throwing them in detention centers. Shortly after their release, the detention centers were again filled with bodies—this time belonging to Chechens accused of consuming alcohol or drugs.

These people were beaten in the name of cleansing them—allowing them to return to society on a new, state-led, “moral” path. The report explains that, “On the date of the release, the police officers forced the inmates to line up in front of their relatives, and then subjected them to verbal abuse and public humiliation.”

The report further explains that religious leaders and even Kadyrov often attended these events, which were sometimes televised. It becomes easy to see how the villainization and downright murder of different groups of people is used for Kadyrov’s personal political gain.

In recent years, we've seen Kadyrov’s henchman targeting groups in new ways.

Authorities set up fake accounts on gay dating sites. Meetings are arranged, and innocent men are met with violent groups of militarized police.  Other times, men will get a call from a random number telling them they are in trouble with the police, only to have their homes stormed seconds later.

Still, these are the pleasant part of the stories.

If you wish to read the detailed accounts of abuse, personal testimonies are included in the aforementioned report. Kadyrov is just another global figurehead who has built an empire based on abuse of power, manipulation of facts, and inducing fear into innocent people.

He has called for the murder of gay men after refuting their very existence.

He must be stopped.

We can help by protesting and offering our aid to groups like Rainbow Railroad, the Organization for Refuge, Asylum, and Migration, and of course to the Russian LGBT network.

 


Gallery: ICON J Lo & Shakira!

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We had an amazing time this past weekend shooting the photo booth for the ICON a celebration of J Lo & Shakira event at Jungle Atlanta. The crowd was packed and the performances were epic! Scroll through some of the photos below. 

We are already counting down the days until the next ICON event, celebrating Robyn and Kylie Minogue. (Use the code 'BLOOP' for a discount at checkout!)

Stay tuned for the full album on our Facebook Page
All photos by Jon Dean Photo

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And ICYM ICON, you've got one more chance to see us this week!

This Thursday night at Jungle, Peppermint from RuPaul's Drag Race will be headlining Powder Room, a brand new queer + femme cabaret.

Get your tickets by clicking here

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Daddy Astrology: Back to School Edition (NSFW)

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It’s back to school season! Time to go shopping for all your school needs: pencils, notebooks, calculators that spell ‘boobs,’ and daddies!

Daddies are like rulers; they should be at least a foot long and used to compare penis sizes. They’re the school accessory every student needs to get through the school year, besides their big hung bulging student loans. OOoooooo fuck!

Whether it’s back to school or doing bath salts behind the school bleachers, you can find the daddy for you in WUSSY’s latest Daddy Astrology!

----

 

Aries (March 21 – April 19)

Shark Week

The week every ‘Finding Nemo’ furry looks forward to! Watch a week of daddies in their natural habitat - Todd’s hot tub - as they devour small twinkish boys that can’t spell ‘handkerchief.’

 

 

Taurus (April 20 – May 20)

Hilary Swank

It’s not actually Hilary Swank. It’s a boy trying really hard not to cry. (sobbing) Goddamn it! I said I wasn’t gonna cry!

 

 

Gemini (May 21 – June 20)

Landline Phone

Whoever says landline phones are dead has never met this daddy. Dressed in her finest floral wallpaper, she sits patiently on her plastic wrapped furniture hoping someone … anyone will call her. Sometimes for hours, sometimes for days, sometimes for years … she sits and waits.
 

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Cancer (June 21 – June 22)

Canary

Kept in a small cage, this daddy accompanies a group of miners exploring the depths of a cavernous methane mine, your man-pussy. When the methane levels become too high, this daddy keels over and dies warning the miners of their impending doom.

 

 

Leo (July 23 – August 22)

Laser Pointer

Point your laser on the ground and watch this daddy chase a tiny red dot for hours. (sigh) Poor guy, he thinks it’s an anus (chuckles to herself).

 

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Virgo (August 23 – September 22)

Passive Aggressive Neighbor

Oh my God of course! Please! Plant your azaleas on my side of the fence! It’s not like they’ll clash with my commemorative ‘Golden Girls’ tree.

 

 

Libra (September 23 – October 22)

Working Girl

This daddy is a career driven woman who has no time for any man’s shit. You can hear her shouting throughout the office, “Hold all my calls and cancel my appointments! I have a date … with my positive body image.”

 

 

Scorpio (October 23 – November 21)

Jesus’s Tomb

For three days this daddy’s disciples mourned the loss of their savior. Till one day they noticed the stone covering his tomb had been moved. They rush inside to find him in the missionary position ready to receive the New Testament.
 

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Sagittarius (November 22 – December 21)

Fidget Spinner

Grab this daddy by his enlarged testicle and watch him spin with perfect balance. Great for party tricks and kids with ADHD.

 

 

Capricorn (December 22 – January 19)

Tony Hawk Pro Skater

Woooaaaahhh! Narly brah! Daddy did a sick grind off your dick! Ohhhh shit! He’s doing an ollie right into your taint! Whhhuuuuut?!

 

 

Aquarius (January 20 – February 18)

GoPro-Choice

This daddy loves two things: real-time first person POV shots of skydiving and woman having the choice to do what they want with their body!

 

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Pisces (February 19 – March 20)

Cortado

What the fuck is a cortado?

 

 

Stevie King is a freelance writer and comedian with a mild obsession for burning down ice cream trucks. They've often been mistaken for Jack Antonoff, Jason Schwartzman, and your mom.

Call for Southern Queers -- Join the WUSSY Team!

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WUSSY is expanding!

ICYMI: WUSSY Mag is seeking contributors from all major Southeastern markets including, but not limited to, Atlanta, Charlotte, Nashville, Asheville, Birmingham, New Orleans, Raleigh / Durham and more. 

We are excited to hear from you! 

Name * Name
Phone Phone
What is your main focus? What kind of role are you looking to fill at WUSSY? http:// http:// http:// http:// http:// Thank you!

Join WUSSY at a screening of Mean Girls on Wednesday September 6 at The Plaza Theatre

Mean Girls

Atlanta Black Gay Pride Guide - 3 Parties You Don't Want to Miss!

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Some of the best spaces to celebrate Black Gay Pride this weekend.

Atlanta is brimming with MAJOR events this weekend—DragonCon, House in the Park, and the ICON Ball. But no Labor Day weekend in this city would be complete without Black Gay Pride.

Since we're all millennials and have short attention spans or whatever, we've picked the Top 3 events that you cannot miss this weekend! We don't like to pick favorites, but some things are just better than other things. 

Get out there and support these fabulous parties and show your PRIDE!

 

WUSSY Picks 

Taste

TASTE is bringing you a silent glow-in-the-dark disco party. Sounds like our kind of party!

Dance the night away to Afrobeats, Latin, Trap, Caribbean, R & B and more. They even have some complimentary Hors d'oeuvres for the hungry gals. Grab your tickets in advance.

 

LoveHer

LovHer returns for another Atlanta Black Gay Pride edition catering towards young LGBTA professionals. With 3 bars & 3 DJ's in 3 rooms at The Loft, the night is sure to be unforgettable. Grab your tickets

 

Pride

SLAY had us at complimentary cocktail hour from 9pm-10pm and then they really brought us home with a signature $5 "Pink Pussy Punch" drink all night long. Some of our favorite femmes will be on the 1's and 2's  - AASHA, Boogie Lov, and Whitney Abstrakt.

DJ's and dancing is what this Sunday night is all about. Pre-sale tickets are available. 

For Filth! Short Film Festival - Submit Today!

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For Filth

WUSSY MAG is proud to present a night dedicated to experimental cinema and all that is queer, southern, and filthy. FOR FILTH! will provide a space for up and coming queer filmmakers to showcase their work at this one-night event.

The films will be screened in November at a location TBA in Atlanta, GA. 
Submissions are open to all queer-identified humans. 

Your submissions must be posted privately (we recommend Vimeo) and sent to us with a password to view. 

Guidelines

For Filth Submission Fee 20.00 Quantity: Add To Cart

1. Films must be no longer than 12 minutes. 
2. Submission fee must be paid PER ENTRY along with a submission form.
3. Films must have been created after December 2015.
4. Films cannot be available to view publicly online until 60 days after screening. 

Early Bird Submission Fee (Sep 1-Oct 1) : $20
General Submission Fee (Oct 2-Nov 1) : $30

Name * Name
http:// http:// Thank you!

"The Lavender Scare" Recounts 1950's Anti-LGBT Witch Hunt

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On Thursday, September 14th, the Atlanta Jewish Film Festival (AJFF) is partnering with Out on Film to bring The Lavender Scare to Atlanta. This feature length documentary is the first in-depth account of the Cold War purge of queer people from their jobs within the Federal government. 

Following the 1950's anti-Communist witch hunts, President Eisenhower signed a law officially banning gays and lesbians from all government employment. They were deemed a "national security threat" and this resulted in over 10,000 queer people being terminated from their jobs. The film is based on a book by historian David K. Johnson and directed by Emmy award-winning producer of 60 Minutes, Josh Howard. 

The screening will take place Thursday, September 14th at 7pm at Midtown Art Cinema. General Admission tickets are $15, while VIP tickets are $30 and include a private meet & greet with director, Josh Howard next door at Apres Diem. Tickets available HERE.

AJFF has provided us with FIVE pairs of tickets to give away from this special screening. All you have to do is enter your email address below for the chance to win!

Name * Name
Thank you!

What's Good, ATL: Weekly Event Picks (9/11-9/17)

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Abdu Ali @ Drunken Unicorn

Abdu Ali @ Drunken Unicorn

With so many event invites clogging up our casual Facebook stalking, it can be difficult to filter out the good from the garbage. WUSSY is here to help you decide where to spend your money, time, and emotional labor -  so you don't have to reclaim it later. Here is our roundup of go-to events scheduled within the city limits this week. 

This week, we've designated Wednesday and Sunday as your queer days of rest. YW!

Click the names to read more about each event!

 

Monday, SepTEMBER 11

Stars of the Century @ Jungle Atlanta

Atlanta’s most legendary drag show returns with its unique blend of dance, pageant drag, newcomers, and seasoned vets! Bring your dollars, cause these girls make it rain every time. Doors at 10pm.
 

Tuesday, SepTEMBER 12

Papi & Bachi w/ DJ ESME @ Gaja Korean Bar

Our favorite East Atlanta food & dance pop up is back! Marky Hatch is taking over the kitchen at Gaja to make his famous empanadas and other assorted Puerto Rican fair. DJ ESME (La Choloteca) will be on the 1s and 2s all night. 6pm

 

FAEST @ High Museum, (Photo: Jamie Hopper)

FAEST @ High Museum, (Photo: Jamie Hopper)

Thursday, SepTEMBER 14

Abdu Ali @ Drunken Unicorn

Queer Baltimore musician, Abdu Ali, is back in Atlanta for an epic show featuring some of our favorite local DJ’s: Leonce (MORPH, Fade to Mind), Sequoyah, and ^M^RYLL^H GOLD. Check out our interview with Ali last year before his show at QuoLab. Doors at 9pm
 

AJFF Selects: The Lavender Scare @ Midtown Art Cinema

Don’t miss this very special documentary, presented by the Atlanta Jewish Film Festival and Out on Film. The Lavender Scare recounts the 1950’s anti-LGBT witchhunt that banned all queer people from holding government jobs. Tickets are on sale HERE. Showtime at 7pm.

 

Friday, SepTEMBER 15

FAEST @ High Museum of Art

A new dance work by Bella Dorado. “Strange creatures with pretty faces and honeyed voices will surely lead you to your sweet demise,” promises the description. Color us intrigued! Shows at 7:30 and 8:30pm

 

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Saturday, SepTEMBER 16

ICON a celebration of Kylie Minogue & Robyn @ Jungle

Don’t miss this immersive performance art exhibit + dance party with two of the most iconic pop artists of our time: Kylie Minogue & Robyn! Featuring performances by Melissa Coffey, LaRico, Michael Robinson, Hydra, John James, and more! Tickets on sale HERE. Doors at 10:30pm
 


What's Good, ATL: Weekly Event Picks (9/18-9/24)

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La Choloteca (PHOTO: Rose Riot Photography)

La Choloteca (PHOTO: Rose Riot Photography)

With so many event invites clogging up our casual Facebook stalking, it can be difficult to filter out the good from the garbage. WUSSY is here to help you decide where to spend your money, time, and emotional labor -  so you don't have to reclaim it later. Here is our roundup of go-to events scheduled within the city limits this week. 

Every week includes at least one night for a Queer Day of Rest cause y'all look tired.

Click the names to read more about each event!

 

Monday, September 18

Queer Day of Rest

Unwind from all the Music Midtown madness by staying home for some Netflix and self-care. We recommend a binge of NBC's comedy The Good Place and a cold glass of Pedialyte. 

 

Tuesday, September 19

Maryoke @ Mary's

Atlanta is typically pretty quiet on Tuesday nights, unless you head out to EAV for Maryoke. Longtime emcee CJ will take good care of you as you're serenaded with classic bops ranging from Motown to Fleetwood Mac. Bring your A game, cause karaoke at Mary's is no joke! Never a cover! 10pm-2:30am

 

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Wednesday, September 20

Queer Youth Fest - Zine Workshop @ Healium Center

Queer Youth Fest presents a hands-on workshop to learn how to craft and conceptualize your own DIY zine. Atlanta artist Melanie Anne Paulos will lead this workshop, and all zines created will be on display at this year's Queer Youth Fest. $5 suggested donation, which includes supplies and materials. 6pm-10pm
 

Pop-Up Porch Party: A Fundraiser for Liliana Bakhtiari @ 8arm

Come out and support City Council District 5 candidate Liliana Bakhtiari at this 8arm fundraiser! Featuring DJ's Ree de la Vega (Chaka Khan Hacienda), Nena Linda, and ESME (La Choloteca). Suggested donation $5. 9pm-1am

 

Thursday, September 21

Bodies on Display @ Mammal Gallery

WUSSY loves porn! Bodies on Display is a two-day screening series featuring film/video, art, and discussion centered around pornography and erotic art. Check out the Facebook link for more information on the schedule. $5-7 suggested donation, 18+

 

La Choloteca's One Year Anniversary @ MJQ

Our favorite radical Latinx bbs are celebrating their first anniversary! We can't believe it's been a full year of awesome dance parties and community building. The night includes an impressive lineup of DJ's plus Tamales from Chicomecatl. Check out this interview we did with the creators last year. Feliz cumpleaños! 10pm-3am

 

Deep South ft The Carry Nation (Via Facebook)

Deep South ft The Carry Nation (Via Facebook)

Friday, September 22

The Other Show @ Jungle

This weekly showcase of alternative drag and campy queens is a must-see for any Atlanta drag fan. We recommend reserving a table and ordering a basket of tots as the perfect compliment to an A+ show. Starring Edie Cheezburger, Evah Destruction, Jaye Lish, and Mini Pearl Necklace! $5; 9pm-11pm
 

Saturday, September 23

DEEP SOUTH w/ The Carry Nation (NYC) @ Heretic

If you're in the mood to sweat and be sweated on, DEEP SOUTH dance party is back at Heretic for more. NYC DJ duo The Carry Nation will headline the night with Atlanta's own Robert Ansley! Dust off that leather harness and get ready for the carry! 10pm-3am
 

Sunday, September 24

AZF5: Atlanta Zine Fest @ Murmur

Happening in South Downtown Atlanta, this annual event includes workshops, zines, and DIY art galore. Go down and check out all the wonderful vendors and attend a workshop or two! The theme of the two-day festival this year is "Reality Schism" - sounds complicated. For more info on Saturday and Sunday programming, check out their website here
 

"From Exodus 2" a Poem by Thomas Young

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WUSSY is proud to present a poem by North Carolina queer, Thomas Young.
If you would like to send in a writing submission, please contact Nicholas Goodly


From Exodus 2

There
went a man
bare
and fair

Hide
of reed
and slime
pitch
along his
back

I stood
far off
to watch
him

He came down
to wash
in the
river
So I
walked by
the river’s side

Shall I call out
to him
in deep passion

or shall
I go?

But the sight
of me
deliberating
amongst the bulrushes
drew him out
of the water

As he came forth
I saw
he was grown

 

As he
looked
round about
I hid in the sand

“where are you?”

My heart
swelled and
in answer
urged me out
of my place
in the cattail

 

We sat
down by a well

That night
he drew
filled
watered me

He asks
“how are you”

I am
delivered

          for I have been a stranger
                  in a strange land

          who in time
          came to
                  remember

-----

Thomas Young is an artist and student in North Carolina. His work has previously appeared in American Chordata

 

Win tickets to see Alaska, Courtney & Willam in Atlanta on September 26

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AAA Girls ft. Alaska Thunderfuck || Courtney Act || Willam make a splash in Atlanta on September 26th at Center Stage Theater and WUSSY has 2 pairs of tickets to giveaway! 

How to win them? Sign up for our newsletter. We will select 2 humans at random and let them know by Friday September 22 by 5pm via email. 

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Details & Information

• All Ages Event
• Reserved Seating
• Tickets available online via Ticketmaster.com or without ticket fees in person at the Center Stage Box Office, M-F, 11-6. Online sales end at 5pm on day of show.

AAA Experience
- Special access to join AAA Girls on-stage during "Meet & Greet" performance
- Individual photo with Alaska, Courtney, and Willam
- VIP Laminate
- 1 Autograph
- Ticket to the show
Experience entry at 6pm

"Chew Me Up & Eat Me" Package
- Individual photo with Alaska, Courtney, and Willam
- VIP Laminate
- 1 Autograph
- Ticket to the show
Package entry at 6pm

"Orgy" Package
- Group photo with a dozen fans + AAA Girls
- Ticket to the show
Package entry at 7pm

Check out the rest of the tour

Upcoming WUSSY events

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Atlanta Zine Fest Heralds Unsung Voices of Atlanta's DIY Culture

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PHOTO: Shae Edman

PHOTO: Shae Edman

This year's Atlanta Zine Fest (AZF) kicks off this weekend for a two day festival packed full of workshops, film screenings and zines from a range of varied styles and different walks of life.

AZF5: Reality Schism delves into the stories and work embarked on through the haze of current social politics, events on the world stage, and back down to the individuals who make up our global identity. With a large diversity of zine vendors, the workshops also follow suit.

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Workshops ranging from tackling social issues such as Performative Allyship: How Not to Be and How Atlanta Can Leverage Its Cultural Capital For Social Good to community body work and skill building with Movement Love Presented by Maggie Benoit and Atlanta Contemporary

and Learning to code without touching a computer. There’s even a workshop geared for teen voices experiencing immigration that will give  participants a chance to be published on VOXATL.com. This is only a small portion of the well rounded, growth intensive weekend AZF has in store.

In anticipation of this jam-packed DIY weekend, we’ve spoke with Brandon Sheats (Executive Director) and Tash Nikol (Program Director), a few questions about what to expect this year:
 

PHOTO: Murmur Facebook

PHOTO: Murmur Facebook

 

Brandon, this will be your first AZF as the Executive Director of Murmur, correct?

Brandon: Indeed, and have I learned a lot about the DIY scene and remembered a lot about how intense planning is.


 

What can we expect this year that may be different than past years?


Tash: This is the 5th Annual Atlanta Zine Fest (AZF5), and we are working to deepen our impact by expanding our audience through workshops with Vox ATL highlighting immigration issues and zine making, Black Noize Media doing a very special and engaging DIY Light Art and Resistance workshop, CCI’s Vote Local highlighting civic engagement, The Atlanta Contemporary showcasing Movement Love, and a number of amazing artists and community change makers. We are also thrilled to feature now NY-based, Atlanta artist Pastiche Lumumba to facilitate a timely workshop related to internet home “ec” and managing your “other other” accounts.

Attendees will also find a special curated film component with short films by House of June, Aloysious Harmon, Lanese Love, and more.


Brandon: We're in multiple buildings, like previous Zine Fests, but we've expanded our range from the past, accepting all vendor applicants, as well as including resources like the Feminist Women's Health Center.

 

PHOTO: Murmur Facebook

PHOTO: Murmur Facebook


Tell us about the theme of the Fest this year, "Reality Schism" and how that came about.


Tash: This years AZF is highlighting the work and issues of the voices that make up the cultural fabric of Atlanta! Reality Schism is the theme, and is centered around making AZF a multivocal event – specifically for people of color, queer people, women, earth liberators, anarchist, artists and those who encourage and support bodies often oppressed and lacking active and supportive circles in our mainstream-centric society. Reality Schism represents the voices that seek alternative routes of creative expression and community engagement to stake claim – the voices that are overlooked, but that make up the creative culture that Atlanta thrives off of but fails to celebrate.
 


What makes Atlantas DIY media/zine scene unique?

Brandon: It's wide open. I have not experienced a scene that is as inviting and gives everyone a shot more than Atlanta. While I think we could do a lot better with critique of work and bridging the civic/arts divide, Atlanta has a path to becoming an even bigger, better scene. Zine-wise, I think another wave is just beginning - anyone can make a zine.
 

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Any vendors or workshops you're particularly psyched about?

Brandon (vendors): I'm excited for all of our vendors this year! So many people brought their game to this year's AZF. Chester Hopewell is presenting zines and chapbooks of new poetry you haven't seen on phone poles and walls around the city, the High Museum is bringing their Teen Team, Mo Costello is returning with copies of PICTURE NEWSPAPER from NYC and Atlanta,  Iman Person is presenting a zine on loneliness and making space, Pretty Major is presenting their goods and we've hosted their Valentine's Day experience. Also, we added film this year!  

Tash (workshops): I am excited about every workshop that we have this year. It’s some beautiful shit to see such a multitude of organizations, individuals and artists coming together (for FREE ya’ll) to drop knowledge on those who plan to attend and support. Who else is doing that in the city? Seriously. We have students from Spelman and the Spelman Innovation Lab, Black Noize Radio providing attendees with the tools and knowledge on how to create and use DIY light art projections in liberation movements, Pastiche doing what he does best on the interwebs, Jortfest showing us how to increase accessibility of zine content utilizing technology, and the list continues.
 


What else do you want people to know about AZF?


Brandon: What you see this year is a beginning - this thing has gone from an idea of Tracy and Amanda's to a multi-venue, two-day event. While it started almost exclusively zines, it's expanding quickly to become a expenading home for independent DIY creatives

Tash: We want people to know that AZF is for them. We aren’t doing this alone. We are joining a movement happening in New Orleans, New York, LA, Memphis, D.C. and all around the US -- specifically in cities that highlight and support DIY, Zine-centric culture. We want Atlanta to be apart of that, and we want Murmur to continue that efforts. We are thankful to the individuals that stepped forward to create this opportunity 5 years ago, and so thankful to groups like MailChimp and the Fulton County Arts Council for stepping up and showing that this matters through their support.

We need the Atlanta community to step up and support this culture so we can continue to thrive and to move this work forward.
 

Matt Jones is your average carefree black boi, community worker, and sensei. As an Atlanta based artist he dreams to foster community and advocate real change for issues involving but not limited to mental health, queer life, and POC disparity. 

Popular Atlanta Gay Club JUNGLE Forced to Shut Down After 13 Years

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Following a trend of big LGBTQ+ clubs closing their doors all across the country, one of Atlanta's biggest nightlife spots have announced that they are about to close their doors. 

After thirteen years of business, Jungle's last night will officially be on November 11th. Jungle, which has been the home to many legendary nightlife events like Stars of the Century and The Other Show, to name a few, does not have the option to renew the lease at their Cheshire Bridge location. 

In a statement made today on Facebook, owner Richard Cherskov announced, "Ive tried everything to convince our new building owners to renew our lease, but the fact remains that they feel our business is not compatible with the new apartments they are building next door. " 

Ah, the Atlanta way. 

This is a big blow to the Atlanta gay community, specifically because Jungle has been one of the only 18+ gay venues with a proper stage, sound, and lighting for club events. 

Jungle has a slew of events coming up before its official last day on November 11th, including a couple of WUSSY productions. Check out the full list of events below.

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Gawd Save the Queenz with PEARL on 9/30 at Jungle

Gawd Save the Queenz with PEARL on 9/30 at Jungle

09/23 – R4H Main Event – Blacklow
09/30 – Wussy Mag – Pearl
10/07 – Angel X – DreamTeam
10/11 – Randy Rainbow (Lost N Found Youth)
10/13 – Pride Friday – Drew G & Evah Destruction (host)
10/14 – Pride Saturday – Joe Gauthreux
10/21 – Wacked Out Black Out
10/27 – Secret Partys Halloween
10/28 – Halloween: The End is Near – Cindel
11/04 – Angel X – DreamTeam
11/11 – Abel (with GA Boy Productions)

Weekly shows:
Monday 11:00 PM – Stars of the Century
Friday 9:00 PM – The Other Show
Saturday 9:00 PM – Fantasy Girls

Wacked Out Black Out RETURNS 10/21 at Jungle

Wacked Out Black Out RETURNS 10/21 at Jungle

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