Quantcast
Channel: Stories - WUSSY Mag
Viewing all 865 articles
Browse latest View live

LOUDSPEAKER:: Poems by Adriane Quinlan

$
0
0
  Photographer:  St. Gil, Marc, 1924-1992

Photographer: St. Gil, Marc, 1924-1992

WUSSY is proud to present poetry by Atlanta writer, Adriane Quinlan
If you would like to send in a writing submission, please contact Nicholas Goodly

The winter of watching too much basketball

I am writing you
a love letter
from the lobby
of the bad motel
as I wait for a call
for my car to be fixed
or not fixed
and Ming is gchatting me
about her boyfriend
who wrote her an e-mail
that may or may not be manipulative
but we think it’s not. 
An e-mail that references the “winter
when he was watching too much basketball.”

========================================
 

Dinner party with a pet pig

She was the poet of wounding
Her pill prescription
His slicing

You sat listening
From across the chili-streaked countertop

And I wondered
What does he tolerate in me
Where have I also been wounded

===========================
 

Trader Vic's

I’m the only person left alive
Who gets really excited
About tiki torches.

It has to do with my childhood
In Los Angeles
Near Disneyland
Where there is – or was – a place

Maybe called the ‘Tiki Room’

Where animatronic birds
Sing to you. And later
When we moved away
The Rainforest Cafe had something
The same or maybe different. It’s the
Simulacra I remember. Not the real thing
like how New Orleans to me
is the same as the Mark Twain ride
or reminds me of Guangzhou, China
where there is also a river, also spanish moss. 

Whatever we see first we always see.
Across the fire of the tiki torch
I remembered the first time I saw you
the first time you lit a flame.

 

Adriane Quinlan is a writer and journalist based in Atlanta. Her work is collected here. 

Join us at the next edition of LOUDSPEAKER: Queer Reading an Open Mic Night at Revelator Coffee, Grant Park on April 22 at 7pm. More info here. 


Shamir: Queer Pop and Living Outside the Gender Binary

$
0
0
 PHOTO:  Ryan Duffin  

PHOTO: Ryan Duffin 

Electric pop singer-songwriter Shamir is totally over your straight, cis-normative bullshit.

And he’s not alone. At only 23, Shamir has had quite the spanning career, despite his claims otherwise. In 2015 he made Ratchet on XL Recordings, a debut released among the likes of Adele and MIA, though disputes with his producer and collaborator led to not one but two scrapped projects before he and the label parted ways. In the wreckage, Shamir self-released Hope in early 2017 on SoundCloud, a record he self-produced in a weekend out of frustration. With that, a new, more pure Shamir emerged and that same year his most recent follow-up Revelations cemented his vision; a vision that’s purely and unadulteratedly his. And in an industry that is almost entirely driven by romantic and sexual urges, desires, and motivations, where do queer, pansexual, non-binary people like Shamir fit in, if at all?

“I told myself a long time ago that I wasn’t going to be fetishized or be someone’s experiment.”

WUSSY got a chance to speak with Shamir via Skype from his Philadelphia home one afternoon.

“Where you’re non-binary, you’re somewhere in the in-between, you know? A lot of times it’s really hard to find a place within sexuality because you might lack, for other people a ‘more firm sexuality’ whether it be gay, straight, or even bisexual.”

He expounds how the term “Bisexual” could potentially be triggering for some non-binary people, because it leads to a dreadful and demoralizing guessing game. Romance and attraction is already hindered while people try to navigate their need to ‘figure out’ Shamir and other non-binary people.

He simply puts, “Presenting in a non-confirmative way makes sex and dating a little trickier.”

In his music, especially initially, his youth was played up more than his sexuality. On his biggest hits like “On The Regular”, from his Ratchet days, it’s clear that despite his queerness, the focus at the time was on Pop and fun, and less so about the introspection queer people are confronted with all the time. Safe spaces and people whom they can be their true selves with are few and far between, often relegating to other people’s homes for weekend retreats, instead of a conventional late-night queer bar scene.

 PHOTO:  Ryan Duffin  

PHOTO: Ryan Duffin 

 PHOTO:  Ryan Duffin  

PHOTO: Ryan Duffin 

“Straight Boy”, the closing track from his album Revelations is a cathartic release for Shamir. It’s about the frustration that, despite whatever good intentions the ‘straight boy’ may have in courting or lusting after them, a non-binary person, they simply don’t understand and can’t come to terms with Shamir’s gender identity.

“A lot of my songs talk about the struggles of trying to find connections with people who generally exist on the binary,” he explains, saying that it comes from a fear of fetishization, and the potential violence that comes with that. “I told myself a long time ago that I wasn’t going to be fetishized or be someone’s experiment.”

“Even if I wanted to be more sexual with my presentation and in my art, it would have to be a very specific way. I feel like people still see me as a 19-year-old kid.”

 PHOTO:  Ryan Duffin  

PHOTO: Ryan Duffin 

Dating’s not off the table for Shamir, no matter how hard it might be. His ideal first date?

“Something more casual. Something basic. Dinner and a show. Mostly music.” And when he’s not crafting his own sounds, he’s finding inspiration in HBO’s Veep and Shakira’s 90s discography.  

Nevertheless, he’s optimistic for the future of gender non-binary and queer people.

“It’s a little disappointing, but we’re getting there. Studies have shown people our age are identifying more and more as queer and aren’t in a box, but we still have ways to go.”

---
 

This story originally ran as the cover story of WUSSY Volume 3: The Sex Issue. Since then, Shamir released a surprise album "Resolution" on Bandcamp. 

The Sex Issue is currently Out of Stock, but you can preorder Volume 4 HERE

Photos: Ryan Duffin
Words: Tyler Scruggs
Stylist: Joanne Henriquez
Leather: Mother of Exile

WUSSY Picks for the 42nd Atlanta Film Festival

$
0
0
1491347350-Miss_Richfield_1981_2020_Vision_tickets.jpg

On April 13th, Y’allywood will again be home to an Academy Award-qualifying festival. The beginning of the 42nd annual Atlanta Film Festival is upon us! The amount of film production in the city has been steadily growing in the past few years, and this celebration of cinema will be just as large and exciting for Atlantans. This highly anticipated event expects over 25,000 attendees, 10 marquee screening events, 35 creative conference events, and more than nine special presentations between opening night and closing night on April 22nd.  

The festival received a record 7,600 film submissions, and the final lineup for the festival has been narrowed to 58 feature-length films and 150 short films from 56 different countries. This year’s film festival will be the most diverse, by number of countries represented, and the largest, by number of films, in Atlanta history. There is more than plenty to do throughout this grand festival, so here’s some things to look out for while navigating these 10 days of film.

Once again, the Pink Peach Track is Atlanta Film Festival’s destination for films featuring LGBTQ narrative features, documentary features and short films. This year the four feature-length Pink Peach films include VENUS, ABU, MERMAIDS and the world premiere MAN MADE. This track will also include 17 short films and even a music video.

Do you enjoy shameless celebrity-spotting? Comedian and director Bo Burnham will be in attendance for the screening of his film EIGHTH GRADE at the closing night presentation.

A friend to the WUSSY Community, the Plaza Theatre will be a featured venue. This iconic theatre embraces the community spirit of Atlanta, and will be celebrated as home to several of the events and presentations during the festival. Other official venues include Dad’s Garage as well as new locations Hilan Theatre and the Rich Auditorium at the Woodruff Arts Center.

Check out some of WUSSY’s picks for must-see films this year --

 

  Blindspotting  (Lionsgate)

Blindspotting (Lionsgate)

Blindspotting

Friday, April 13, 2018, 7:00 PM — Plaza Theatre

Co-written by lifelong friends Daveed Diggs and Rafael Casal, BLINDSPOTTING is a wildly entertaining story about friendship and the intersection of race and class set against the backdrop of Oakland. Both Diggs and Casal are scheduled to attend the screening, and Diggs will receive the inaugural ATLFF Innovator Award.

 

Miss+Richfield+1981.png

Miss Richfield 1981 “Born Again”

Thursday, April 19, 2018, 7:00 PM — Plaza Theatre

Logo Founder Matt Farber presents Miss Richfield 1981 "Born Again" at Plaza Theatre. In her all-new show, Miss Richfield 1981 is “Born Again” finding new religion to bring our divided world together. With all new songs, videos, and unique audience activities, Miss R brings all faiths together in 2018. Atheists welcome!

 

  RBG  (Magnolia Pictures)

RBG (Magnolia Pictures)

RBG

Wednesday, April 18, 2018, 6:30 PM — Plaza Theatre

U.S. Supreme Court Justice Ginsburg has created a breathtaking legal legacy for women’s rights while becoming an unexpected pop culture icon. The personal journey of this diminutive, quiet warrior’s rise to the nation’s highest court during a hostile time for women, is revealed in this inspiring and multidimensional portrait. Now 84, Ginsburg refuses to relinquish her passionate duty, continues to have vigorous dissenting opinions and her exercise workouts.

 

  Won't You Be My Neighbor  (Focus Features)

Won't You Be My Neighbor (Focus Features)

Won’t You Be My Neighbor?

Saturday, April 21, 2018, 5:15 PM — Woodruff Arts Center: Rich Auditorium

From Academy Award-winning filmmaker Morgan Neville (“20 Feet from Stardom”), “Won’t You Be My Neighbor?” takes an intimate look at America’s favorite neighbor: Mister Fred Rogers. A portrait of a man whom we all think we know, this emotional and moving film takes us beyond the zip-up cardigans and the land of make-believe, and into the heart of a creative genius who inspired generations of children with compassion and limitless imagination.

 

  Tully  (Focus Features)

Tully (Focus Features)

Tully

Sunday, April 15, 2018, 7:15 PM — Plaza Theatre

A new comedy from Academy Award-nominated director Jason Reitman (“Up in the Air”) and Academy Award-winning screenwriter Diablo Cody (“Juno”). Marlo (Academy Award-winner Charlize Theron), a mother of three including a newborn, is gifted a night nanny by her brother (Mark Duplass). Hesitant to the extravagance at first, Marlo comes to form a unique bond with the thoughtful, surprising, and sometimes challenging young nanny named Tully (Mackenzie Davis).

 

If you’re a cinephile, want to participate in this city-wide event, or just looking for a excuse to eat a bunch of popcorn, don’t miss out on this year’s festivities! Tickets are available here. More information and festival updates are available on facebook,  on twitter @AtlantaFilmFest #ATLFF, Instagram @AtlantaFilmFestival and their website here.
 

*Film descriptions as described on Atlanta Film Festival Website

The Last Blue Ball(s) On Earth - RuPaul's Drag Race Season 10, Episode 4

$
0
0
Screen Shot 2018-04-14 at 1.27.44 PM.png

Ooooh GURL! The Drag Race we all know and love is officially back and we're on a (back)roll!

I’m so excited to see a ball this early in season.

The ball is what separates the Serena ChaCha’s of the world from the Drag Race elite. It’s gonna be tough after this week, because HENNY we are #NoFiller from here on out….

This week gave us tons of gag worthy moments, so let’s dive in shall we?

Screen Shot 2018-04-14 at 1.53.14 PM.png

Mini Challange

The mini challenges have officially recovered from that terrible Hoedown ft. Andy Cohen!

This week, the queens had to photobomb famous celebrity pictures. There were a few standouts but Miz Cracker was my favorite with her epic wig snatch while photobombing Serena Williams at Wimbledon. Miss Aquafina, I mean Aquaria, ends up winning for her poop-scooping bomb of Kimye. The best part of the mini challenge was seeing Shawn Morales... even if he was fully clothed.

 

Maxi Challenge

Ru presents this weeks maxi challenge is a climate change inspired ball. The queens have to create 3 lewks and in true climate change fashion the Alaskan realness is swim and the Miami lewk is all about fur, with the final lewk being Martian inspired eleganza!
 

image1.gif


Alaskan Winter Realness

Monet X Change - She traded in that Kitty Kat Wig for an Amazon Shake-N-Go *insert groundbreaking gif here*

Vixen - YASSSSSSS!!! Com’n FAN!

Aquaria - I’m so excited for the Nacho Libre remake!

Dusty Ray Bottoms - More like American Apparently not…

Monique Heart - WATERMELON! YAS BISSSSHHHH!!!

Asia O’Hara - I never met furry balls that I didn't like... until this lewk.

 

Miami Summer Realness

Biqtch Puddin… I mean Kameron Michaels - It was a cute lewk, but i didn't care for her makeup

Aquaria - The color of those furs was EVERYTHING! It's still Miami y'all and that means bright colors… DUH!

Dusty - HATED IT!!!

Monique Heart - Color was right, mug was right, and the hair was right! YAS!

Asia O’ Hara - The lewk screams LMFAO music video to me... I'M IN MIAMI, BITCH!!

Miz Cracker - Mad Max meets Miami Barbie… HERE FOR ALL OF IT!!!
 

image7.gif


Martian Eleganza Extravaganza

Monet X Change - GURL! What a waste of very expensive and AMAZING fabric. Asia was right to read her for her treatment of that fabric. Vivacious is somewhere screaming at that bitch for stealing her gig.

Vixen - Somebody put good use to that 40% off your purchase coupon at Michaels.

Aquaria - I HATE GIVING HER PRAISE, BUT OMG THAT LEWK WAS EVERYTHING!

Dusty Ray Bottoms - I think I was confused by the assignment... That was a fairy godmother -- not a Martian inspired eleganza lewk.

Monique - I’m the biggest sucker for a 2in1 and Monique looked so DAMN RIGHT!

Cracker - Ground control to Miz Cracker, you have clearance to be a front runner, HENNY!

As much as it pains me to say it, Aquaria SLAYED the entire ball, and is the rightful winner of the challenge with Miz Cracker at a very close 2nd. The bottom 2 queens are rightful Dusty and Monet, who just fumbled through the whole ball TBH. I didn't think Asia deserved to be in the bottom, but understand why. She and I both have the same problem -- we put others before ourselves far too often. Lesson learned. I don't see Asia falling back into the bottom anytime soon.
 

image6.gif


LSFYL

This LSFYL proved that the producers and Ru are really looking for the Queens to SLAY lip syncs this season, and HENNY this one had one of my favorite moments in Drag Race HERSTORY! When Monet did the split fake out... I LOST IT!!! She won right then, but made good on the jump split later in the lip sync to put that final nail in. Dusty does a good job keeping up with the pace of a very hectic Nikki song, but she never stood a chance against Monet. Dusty ends up sashaying and we say goodbye to the last filler queen of the season. From here on out, anyone can win and anyone can get sent home.

 

My Top 4 ATM

Miz Cracker
Aquaria
Monique Heart
Asia O Hara

image12 (1).gif


Stray Observations

  • Logan Browning (who looked absolutely STUNNING!!) and Tisha Campbell-Martin continued the trend of being AMAZING guest judges. Both gave excellent critiques while also being HILARIOUS! Please invite them both back next season!!!

  • Rupaul turned a GOD-DAMN LEWK!!!! Seeing Ru in a Leigh Bowery inspired lewk took me right back to the Rupaul of the 80’s and 90’s that I miss so much. I hope we see more of Vintage Ru this season.

  • WHAT IN THE NAME OF OUR LORD AND SAVIOUR BEYONCE DOES MONIQUE GOTTA DO TO GET SOME RECOGNITION?!?! She slayed the ball so hard and still was just safe?! She has been in my top from the jump and still hasn’t received any high scores.

  • The friendship that Asia, Monet, and Monique have is real life friend goals. Those 3 could have their own show, and I would never miss an episode.

  • My girl Lucy Stoole had a cameo in the episode! Vixen talked to Ru in the werk room about her show in Chicago, Black Girl Magic, which is TBH one of the best shows in the country and houses some of the best talent. If you're in Chicago, I HIGHLY recommend it. Otherwise, check her out in ATLANTA on April 28th at My Sister's Room. 

  • The longer episodes are really all I ever wanted from Drag Race. I feel like we are really getting to know these girls this season, from their backstories to the friendships that they're making. It makes watching the show so much more enjoyable.

  • Monét was right about her comment about the English vs. British accent. During the industrial revolution the upper class decided to drop their “R’s” to sound more elitist than the every growing poor population. Fact check me bisshhhhhhh them student loans didn’t pay for nothing… C’MON HISTORY MINOR, LETS GET IN DEBT FOR A DEGREE WELL NEVER USE!

Something Rotten! Q&A with Queer Thespian, Blake Hammond

$
0
0
RottenTour_9089.jpg


If you've been looking for a reason to catch a musical at The Fox Theatre, you're in luck! One of the most rotten, hilarious original musicals is making its debut in ATL this week with cheeky classics like "Bottom's Gonna Be On Top!".

Directed and choreographed by Tony Award winner Casey Nicholaw (The Book of Mormon, Aladdin), Something Rotten follows playwright brothers, Nick and Nigel Bottom, as they try to climb to the top, taking on Renaissance Rockstar William Shakespeare. In 2015, it was nominated for a whopping ten Tony Awards, including Best Musical. 

Three of the principal Broadway actors will be appearing in the traveling production: Rob McClure as Nick Bottom, Adam Pascal as Shakespeare and Josh Grisetti as Nigel Bottom.

WUSSY had the chance to speak with queer actor, Blake Hammond, about his role as the boisterous fortune teller, Thomas Nastradamus. 

Something Rotten will run at Atlanta's historic Fox Theatre from April 17-22.
Tickets are available here

 

Something Rotten is one of the most beloved original Broadway productions in the last few years. Why do you think audiences have connected with it?

Well first off I will say it is truly funny with a capital F!!! So few productions come our way these days that are an original story not based on any other previous medium. I think it's refreshing for audiences to discover something new in the theatre. And you're right - they really connect with the piece.

 

What's the most exciting part about playing the soothsayer, Nostradamus? Favorite number?

The most exciting part about my role is the fact that I am sort of in my own play. No other character comes from my world and being a soothsayer, it gives me great freedom to be creative and wacky! Fun! And of course my favorite number is one I share with Rob McClure and our fantastic ensemble. "It's a Musical". You have to see it to believe it!

 

You've played so many iconic queer roles, from Edna Turnblad in Hairspray to Pumbaa in The Lion King, can you pick a favorite and why? 

I dearly love Edna Turnblad. Many times you will see a man in drag playing a man in drag but with Edna you are actually someone’s mother! I adore that. I loved that by the time you get to "Timeless to Me" the audience has really sort of forgotten you're a man. They just accept Edna and Wilbur as married couple. But I also love "When Pig's Fly". It was a show I did Off Broadway and again in Los Angeles and it is fantastic. Get the soundtrack. You won't be sorry!

 

I know I've seen you in at least The Addams Family when you all rolled through Atlanta. What's your experience like with Atlanta and ATL audiences?

I always have fun in Atlanta. Audiences there know good theatre when they see it and I appreciate that. I was first there with Lion King for 8 weeks a zillion years ago. But have since been back with Addams and Cinderella at the Fox! What a glorious beautiful theater and I can't wait to play it again. Love the pipe organ at half hour. 

 

cdn.uc.assets.prezly.jpg

Can you give us any tea on what goes down on the road with touring productions like this? 

Well I wouldn't want to spill the tea on any of my beautiful cast mates, but I will tell you that on this show it has been a huge love fest. We all have a great time together and there are so many stunning men and women. Eye Candy all around!

 

Do you still get nervous going on stage?

I really don't get nervous much any more. Of course the first time you start a new show there are some nerves and it takes a while to settle down. But for the most part I just feel excited to get out there and have fun. 

 

A lot of queer kids find their tribes working on school productions -- did you have something like that when you were younger?

I really didn't. I am from a small town in Texas. Only 23 people in my High School graduating class. But I soon found my tribe in College at  The University of Texas. But I love that these kids find each other. We theater folk are a special breed and oh I love us!


Any advice for young queer thespians? 

My advice for young people period is listen to your heart and follow your dreams. Like I said, I came from a tiny town of 1800 people and I made it. I am living out my dreams. Professional theatre happens all over this country. If I can do it - you can too!

Blondie to Headline Atlanta Pride's Stonewall Celebrations

$
0
0
 Blondie

Blondie

Since Atlanta Pride made the controversial switch from June to October, ATLiens have felt a bit left out while the rest of the country celebrates Stonewall Month. The move does allow us to escape the sweltering June heat and escape to places like New York or San Francisco Pride, but this year might be a bit different.

The Fox Theatre and Atlanta Pride Committee announced today that they will be honoring Stonewall in style with a lineup of national and local queer icons. 

 Wanda Sykes

Wanda Sykes

On Wednesday, June 20th, queer comedians Wanda Sykes and Tig Notaro will headline a Comedy Night at Atlanta's historic Fox Theatre. 

Legendary punk band BLONDIE will headline Friday, June 22nd, with a star-studded drag show opening the night. Local queens Taejah Thomas, Brigitte Bidet, and Dax Exclamation Point are just a few of the names attached. The evening will end with a dance party with DJ Vicki Powell and the queens at the theatre's new Marquee Club. 

Both nights will be hosted be local LGBTQ+ advocate, Feroza Syed. 

"We are thrilled to cap off more than a dozen Stonewall Month events with these two shows at the Fox Theatre and look forward to an enduring partnership that recognizes the rich diversity of our community," said Atlanta Pride’s Executive Director Jamie Fergerson in a prepared statement. 

Tickets are on sale April 20th and range between $43-125 at the theatre website or by calling 855-285-8499

How Communities Pathologized Sex Workers

$
0
0
the-simpsons.jpg

At an open mic last year in Roanoke, local storytellers recounted anecdotes all loosely connected by a general theme: “neighbors.” Fittingly, Roanoke is a city that highly prides itself on its neighborhoods and the distinct communities that are founded within them. The event itself was held in one of Roanoke’s oldest neighborhoods, Historic Old Southwest, known widely for its dramatic architecture: bleached pastel mansions with pointed roofs and sweeping Southern porches. Old Southwest is also (less widely) known as Roanoke’s historic gayborhood. Here, in the 1970s and 1980s, most of the dilapidated railroad mansions had long been converted into cheap and seedy apartment complexes for working class, transient tenants—some of whom were gay activists. Since then, Old Southwest and many other Roanoke neighborhoods have gone through significant transformations. In Old Southwest, middle class families have started to mix in with working class residents, and the neighborhood is becoming more racially diverse—having long been majority white. These changes can certainly cause friction but, that night, I was hoping to hear stories about neighbors bridging gaps of difference and forging common ground, despite ever-shifting demographics.

Most of the stories were indeed funny and sentimental; testaments to an accepting and light-hearted community. But one story stood out: A local housing developer and member of the broader LGBTQ community recounting his first few weeks in Roanoke some twenty years ago, back before the city was a hotspot for craft breweries and medical schools. He dramatized his initial encounters with Roanoke’s West End neighborhood, speaking sordidly of the kind of poverty and petty crime that plagued his block before he started to “clean it up.” He was particularly vexed by the sex workers who did business down the street. After calling the police on them countless times to no avail, he put a large sign in his yard declaring “NO MORE HOOKERS.” As he was telling this part of the story, he encouraged the audience to join him in chanting “NO.MORE.HOOKERS.” And soon that room, that community of people celebrating community, was shouting in unison: NO MORE HOOKERS, NO MORE HOOKERS!

As it goes, the efforts of him and other gentrifiers “paid” off. His old street, he pointed out triumphantly, is now seemingly “free” of sex workers and populated by families—families who rent to own houses and shop at small businesses and call the police when they see criminal activity. It was an all-American success story built on the backs of some all-American myths about sex work: that the presence of sex workers makes a neighborhood bad; that a good neighborhood is devoid of sex work; and that sex workers should thus be treated like a blight on community progress, a disease to be wiped out or washed away. And even though many of the people who joined in the chant of “NO MORE HOOKERS” seemed somewhat reluctant to do so, I think the general premise still struck a nerve. A lot of people have whacky neighbors, but nobody in a “respectable” community wants their neighbor to be a sex worker. For many people in the middle class, the presence of sex workers seems antithetical to living in a “good” community.

The conflict between sex workers and community development is not new. In Roanoke, it is as old as the city itself. At the turn of the 20th century, community members campaigned to shut down Roanoke’s thriving brothel and saloon scene, concerned about the deleterious influence of alcohol and mixed-gender establishments. Ultimately, Roanoke’s “vice district” was effectively quarantined to the historically black side of town: Gainsboro. In the 1950s and 60s, Gainsboro was subsequently redeveloped and hundreds of black homes and businesses were destroyed, displacing thousands. In the 1970s, Roanoke law enforcement cracked down on sex work in the city’s center, concerned particularly about the transvestite prostitutes that worked in the downtown market. City officials figured that trans prostitutes were scaring away (primarily white) middle class patrons, and wanted to remove them in order to make the market a more appealing place for other kinds of capitalist enterprise: restaurants and boutiques, namely. To make room for the kind of business that middle class people openly engage in, many sex workers were arrested and given hefty fines. The city succeeded in pushing sex workers out of the city center, but considering how many affluent locals still sought out their services, sex workers continued to do business in other parts of the city not yet slotted for redevelopment. Thus, sex workers were pushed from one “bad” neighborhood to another. And every time a “bad” neighborhood was deemed worthy of being made “good” by middle class investment, they were pushed out again, and again, and again.

The assumption underlying this continuous displacement is clear: a community cannot be safe, clean, and open to middle class enterprise so long as sex workers work there. When we see sex workers, we take their very presence on the street to mean we have stumbled into a bad part of town—especially when those sex workers are non-white and/or trans. We assume that nice restaurants, cafes, shops, and families cannot and do not coexist with sex workers, even if, in reality, they often do. So we call the police on sex workers, inadvertently or intentionally putting vulnerable members of our community in danger. When sex workers are subsequently removed, we frame the destruction of a person’s livelihood as a “clean up,” and celebrate the “health” of our middle-class or gentrifying neighborhoods, even as neighborhoods a block or two away are stifled by poverty and community indifference. The success of entrepreneurs and affluent families, then, necessitates creating distinctions between “good” and “bad” neighborhoods; quarantining the “bad” (rather than addressing systemic inequalities) so that the “good” can thrive free of guilt or consequence.

There is another underlying assumption behind this logic: that sex work is dirty and debasing. Yet, sex is a commodity everywhere—not just on the streets. Sex is used widely and acceptably as a marketing tool to sell everything from guns to music to diet pills. Middle class families regularly expose their children to sexualized marketing while simultaneously (and hypocritically) moralizing against sex workers as corrosive to family values. Further, sex workers are not purchasing their own services—middle class/affluent clients are the ones creating the demand. They want access to sex workers, but they want it to be discreet and far away from where they live and work. In turn, sex workers’ safety is often jeopardized, while clients are continually protected. These are just a couple of the contradictions inherent in policing sex workers. Middle class communities realistically desire these and other “illicit” services, but they do so while feeling entitled to live in clean, wholesome, safe neighborhoods—because they can afford it. Those who can’t, it follows, are not their problem.  

I am not exempt from this way of thinking. I love my neighborhood and its unique, colorful identity. I love how safe and accessible it feels. But my neighborhood also prevents me from seeing my city as a whole entity. It segregates me and, sometimes, stifles my capacity for empathy. I know crime and poverty and discrimination run rife in Roanoke, but, because those things are seemingly not in my backyard or on my street, they are easy to ignore—a blinding privilege. To many in my community, sex workers are seen as a blight that keeps us from feeling “safe” and “good” about where we live. Our comfort is prioritized over their safety. But sex workers deserve better than continuous displacement, and the violence done to them by police officers and “well-meaning” community members. They offer a service that middle class people feel entitled to, but they are wholly unwelcome in our communities. They are, in fact, our neighbors—even if we do not realize it. Many of them are also entrepreneurs, with families and bills to pay and a burning desire to survive in an economy and society that treats survival as a luxury. They deserve, like all of us, a living wage and a safe place to sleep and protections from violence and abuse. If we truly want to make our communities stronger, it’s time to recognize that progress means all of us—no matter where we live, no matter how we make a living.

----
 

RM Barton is a writer and activist living in Roanoke, Virginia. Originally from Maryland, she moved to Southwest Virginia for school some five years ago, and has since become invested in queering southern space. She is the co-lead of The Southwest Virginia LGBTQ History Project and the publisher of The Southwest Virginia LGBTQ History Project Zine, which aims to illuminate queer history through queer art and storytelling. She blogs at rmbartonblog.wordpress.com

Bossy Rossy - RuPaul's Drag Race Season 10 Episode 5 Recap

$
0
0
image7.jpeg

Is this kosher?! 

We’re back to spill all the T and breakdown this weeks episode of Drag Race. Aside from the Maxi challenge, this week was very lackluster in a season that's had so many gag-worthy moments.

As the queens enter the werkroom from the runway, Asia confronted the other queens. She feels like she was used and left to look like a fool in front of one of her idols. Cracker calls BULLSHIT and tells Asia a very valuable lesson: ”when something goes wrong, you can only blame…...your friends!”

Asia’s mindset has switched from the Mom of the season, to a fierce competitor.

The Vixen has made it clear that after last weeks fight with Eureka, she wants nothing more to do with her and decides to just ignore her. She’s leaving Eureka on READ... OFFICIALLY!

 

MINI CHALLENGE

This weeks mini challenge is to drag up “government issued” military wear. The lewks were pretty weak but shout-out to Kameron Michaels for doing Drill-Sergeant realness and making me feel things I haven’t felt in years. I’m still really confused where and why purple camo is government issued... but okay, Jan. The Vixen ends up winning the mini challenge in a fierce camo lewk with a personality to match.

 

image11.jpeg

MAXI CHALLENGE

Ru reveals that this weeks Maxi challenge is to improv your way through the Bossy Rossy Show. The Bossy Rossy show is pure TV trash. Think if Maury had a baby with Jerry Springer who then was not the father but Sally Jessy Raphael was.

The queens are each given a segment in which they have to improv segments based on classic daytime tv talk show storylines. “I Married a Cactus” and “Save Me From My Deadly Fear of... Pickles!” are the clear ICONIC moments of this episode. The Vixen’s plan to pit Eureka vs Aquaria against one another in their own group backfires, and they end of having one of the better segments in “Look At Me I’m a Sexy Baby”.The rest were just kinda…..MEH!

 

Highlights of Bossy Rossy

  • Monique having a wig under her wig during the wig snatching scene in “I Married A Cactus” was  honestly a big mood for me in 2018.

  • Miz Cracker as the Jewish pickle therapist who is living her truest life as a real life pickle was comedy GOLD! Her improv skills rival the best comedy queens in the business and TBH I need her and Bob to have their own Viceland show. Its kinda homophobic that we don't already have one.

  • Kameron Michaels NAILED the character of the country trash that cant stop huffing tucking panties. I know that girl….I’ve met that girl…..that girl called me a faggot…..GUESS WHAT ASHLEY MAE, IM LIVING MY BEST LIFE NOW!  

 

Lowlights or TBH what could’ve been a triple elimination

image1.gif

 

  • Monet X Change never landed a joke, and TBH i'm not sure she even showed up to set.

  • The Vixen broke my #1 rule of improv…. DON'T BREAK!

  • Mayhem knew she had a big character in her scene, but she disappeared completely from her scene and let Cracker steal every single gag.

 

Runway

In honor of Shania Twain being a guest judge, this weeks runway theme is Denim and Diamonds. Nobody really slayed this runway theme. In what has been a season of very exciting lewks, this runway was a huge let down. It was more like Den…….UMMMMM!

 

Tops

image10.gif

Miz Cracker - Though it was just a pink denim jumpsuit that got bedazzled within a second of its life, Cracker sells the lewk with her humour and personality. I have found my new favorite queen!!

The Vixen - I didn't hate it as much as the judges, but i get what they were saying. If she would have been sinched, she would've had one of the top lewks of the season. I’m.

Aquaria - I loved it from the waist up. THAT IS THE UGLIEST EFFING SKIRT I'VE EVER SEEN!

 

Bottoms (they're all bottoms)

Monet - I love fringe, but GURL!!! Do not step on the runway in an outfit that ill-fitted and not think you're not gonna get read the house down boots.

Mayhem - I've seen Kacey Musgraves do this lewk so much better, and her boots light up!

 

LSFYL

image8.gif

Somehow Eureka wins and Mayhem and Monet deservingly land in the bottom 2. The Vixen saved herself with that amazing denim lewk! If we didn't get a Shania LSFYL, I was ready to BURN IT ALL DOWN! I will never forget that homophobic moment when we got Emma Bunton but no Spice Girls Lip sync, and now every week I hold my breath. But its all good!

Somehow even Man! I Feel Like a Woman felt like a letdown, with neither queen really slaying it the way we have become accustomed to. Monet does do a better job of showing her personality and has a couple tricks up her sleeve that end up saving her from elimination.


 

Top 4 ATM

Miz Cracker
Monique Heart
Aquaria
The Vixen

 

Stray Observations

image5.gif

- Monique FINALLY landed in the top this week. She has become my biggest surprise (and I'm starting to think the producers as well) of the season, and TBH i really just wanna be her friend and go talk shit about people over drinks!

- Miz Cracker won this challenge and runway, and has had two wins stolen from her now. You can not convince me otherwise.

- Miss Vanjie might have been eliminated first, but that bitch is the gift that keeps on giving. Not only has she been mentioned in every episode of Drag Race, but hearing Ru still crack up at Michelle saying “ Misssss VAAAAANNNNJJJIIEEEE” is almost a guarantee that she'll be back for Season 11.


Wussy Wednesdays: Connect IRL With Your Fellow Weirdos at The Plaza Theatre

$
0
0
Screen Shot 2018-04-23 at 10.11.55 PM.png

The box office in 2017 was the worst year for ticket sales in over two decades. Many people, even self-proclaimed cinephiles like me, didn’t make it out to the theater much last year for a number of reasons. Sequel, reboot, and just plain crappy movie fatigue has driven would-be moviegoers to stay home. Not to mention, with the plethora of options shoved in our face from Netflix, HBO, Hulu, what have you… there’s more reason than ever to stay home.

In 2015, WUSSY in conjunction with Scoutmob and Bill Kaelin Marketing, began showing classic queer films like Paris Is Burning, Xanadu, and Troop Beverly Hills at the Plaza Atlanta. In its latest iteration, #WussyWednesday is a monthly screening event where hundreds of LGBTQ+ identifying folks and allies come together in a midnight-movie style gathering and enjoy their favorite queer cult classics.

People, especially those who are queer-identifying, need community now more than ever, and many have found that with Wussy Wednesdays. It’s a weekday, so you’re not gonna get too rowdy or drunk (hopefully). It’s a movie, so you’re seated and relaxed, unless you’re one of the dozens who interact and quote the movie while it plays. One of the biggest aspects of the Wussy Wednesday screenings is that they’re communal and interactive. Wanna shout at the screen? Do it. Wanna dance during your favorite part? By all means! Safe(r) spaces are not reserved for bars or clubs—they can be movie theaters, and there isn’t a better theatre in town than the Plaza.  

It’s an event, y’all. There’s a costume contest and (sometimes) a photobooth, which encourages moviegoers to show up in their best looks, often themed after the film. Imagine something like a midnight Rocky Horror Picture Show showing (which The Plaza offers on Friday night), but at 8pm on a Wednesday and everyone looks queer as hell.  

30531014_10160278128740261_8247515076723176805_n.jpg 30073154_10160328338840261_1350917763691645602_o.jpg

Last month, a screening of Spice World sold out so a second showing was added, proving that Wussy Wednesday is only getting more popular. On April 25th, the Plaza will be hosting the next Wussy Wednesday screening of The Birdcage starring Robin Williams, Gene Hackman, and Nathan Lane. (Because the first screening on April 11th sold out.) Personally, I haven’t seen it, but that’s almost the best part! WUSSY also just added a screening of the horror class SCREAM on May 9th. 

I hadn’t see Spice World either and seeing fans go wild about something in a movie theater that isn’t a property owned by Disney is heartwarming, and it exposed me to a really fun movie! There’s no Queer Studies course to take in high school, so we have to rely on each other to expose us to films and media that make us more informed members of the community, and I’m so thankful to have a way to connect. 

See you on Wednesday!

----

Tyler Scruggs
 is a writer and musician living in Atlanta with his partner Mark. When he’s not churning out internet content, he’s paying too much for coffee and buying movie tickets week in advance. Feel free to validate him on Instagram (@Scruggernaut), Twitter (@TylerScruggs), or on Scruff (you'll know it when you see it).

LOUDSPEAKER:: Poems by Benjamin Stevenson

$
0
0
Screen Shot 2018-04-25 at 11.33.00 AM.png

WUSSY is proud to present poetry by Atlanta writer, Benjamin Stevenson
If you would like to send in a writing submission, please contact Nicholas Goodly

 

 

Missing

I.
My mother was too drunk
to give birth, so I was never
born. I was delivered.
My father always reminds me,
When you swooped out
of your mother’s pussy, you were
silent. Remember that.

He says not to name a baby until you hear the screams chirping
from its mouth into the air.
I didn't cry until he hit me, so
can you tell me what my name is?

II.
My house has many rooms, I occupy
only a few. The rest go unvisited.
I cannot forget the spaces on the walls
where a window should have gone, or
the absence of light, and it reminds me
I do not have a name, and of the few
thoughts my mind refuses to lose.
I go home, and hear the whispers of blood-
stained carpets, the snapping of bones,
the crows, the gurgling of waters that
used to fill the tub. The crows. Little
red floaters in my eyes fly through
space like a warning, though too
late. It is June, and my father
has broken my wings.

lll.
He withers away as I heal. These days,
sirens don’t reach the depths
of a broken man’s well.
I think he promised
me something. Have you seen
the dead birds in the rose garden?
They flew into the walls.
My name is missing. My father
foolishly gives me crutches
to nestle underneath my wings.
I wish I could I could bash them
against his skull to teach him
the meaning of penance. But,
I know that God takes care of her
sparrows, and that even crows
can be redeemed if you touch them.


 

Persona

There’s a sense
of shallowness
in the theatrics of it all
stemming from
a wanting,
a true dissatisfaction
with the status quo.

You’re reaching
for a dwindling
understanding of
the self and
over time it
grows tiring
reaching like that
and well...
that’s when
you start needing
to face the fact—
you aren’t her.

Then, what’s left?
a stack of fruit
a bump of blow
an unmade bed?


 

What I Know

If a man fucks you in the dark, then how do you know your body is beautiful? Is it the way each of his fingers carve your back into a playground? Something along these lines. Me? I think it’s more than that. I know god gave me two legs to run with, and a mouth to suck. I know this body was a home to my lover’s best mistakes, but that letting him put it on my face didn’t make him stay. I asked the man at the liquor store if he remembered your face, but all he seemed to recall was the dingy button on my worn-out jeans. You know? Most men say they’ve seen the hell in me, because it’s the same hell they live in. But I wonder if they’ve ever seen it in the rain. Bruised knees never made a difference. Still, he once told me he loved me. I wish I had heard him over the moans, coming from the man thrusting his hips into my back. Now I know that beauty is something far more sharp than a simple reflection, and a concept far more tangible than these words.

 

----

Benjamin Stevenson is poet and movement artist from Alabama. They attended Emory University, where they received their bachelors degree in Political Science and Arabic. In addition to their primary studies, they were privileged with the opportunity of taking part in the Creative Writing program headed by Natasha Trethewey. Upon graduating with their bachelors, they made the decision to focus on my creative writing and performance art, as means of facilitating insightful dialogue on topics such as mental health, social issues, sex, love, death, and both personal and group identity politics.

20 Questions with ATLANTA's DJ NSA

$
0
0
 Photos by Jon Dean

Photos by Jon Dean

It's no secret that we've got a huge crush on Atlanta artist, Cameron Allen.

Maybe you follow him on Instagram [@nsaworldwide], through his project @pretendcouple, or have noticed his recent break into the world of Atlanta nightlife. Either way you should pay attention. 

NSA has been busy -- DJing regularly at Noni's and recently doing a spot for Deep South Presents HONCHO at Music Room. Last year, Allen collaborated with Savannah artist Will Penny on an exhibition at the Telfair Museum. His work playfully highlights the affects of social media and modern technology on social landscapes, so taking over the DJ booth is a natural progression. 

Tonight, you can catch Cam behind the DJ booth with JSPORT [Morph] at SPRUNG! with Miz Cracker from RuPaul's Drag Race. In the meantime, swoon over these pics and get to know DJ NSA a bit better!

IMG_2631-Edit.jpg

1. Describe yourself in three words.
bacon egg and cheese

2. Favorite artist, living or dead?
too many, maybe Arthur Russell

3. Favorite App?
shrub

4. Which Golden Girl are you?
Samantha

5. Who should we be following on IG (besides you)?
Lindsay Lohan for feeling better, Britney Spears for inspiration, @puppycodes for lol

6. Favorite places to hang in Atlanta? 
258 Auburn Ave afterparties, nonis, atlanta contemporary, bed

7. Can you eat gluten?
everyday

IMG_2792-Edit.jpg IMG_2797.jpg

8. Have you ever ghosted on a date?
just the receiving end 

9. Favorite pop song currently?
charli xcx - 10

10. What eating habit turns you on?
a guy that gets down no shame

11. What you working on?
new music and a record label; Hz Like Hell

12. What do you smell like?
endorphins 

13. Favorite ATLiens?
andre 3000, mlk

14. What qualities are you attracted to in a person?
unapologetic people, realness, chill

15. If you had to choose one career outside of the art world, what would it be?
housewife 

IMG_2891-Edit.jpg

16. Your Real Housewives tagline...
bigger, better things

17. Has anyone ever told you that you’re perfect, you’re beautiful, that you look like Linda Evangelista and you’re a model?
i wouldn't trust that person

18. What’s your favorite meme right now?
the one with the.

19. What can we expect from your DJ sets?
something else

20. Are you gonna call us back after this?
lol

 

All photos by Jon Dean

'Vida' on Starz is a Triumph of Queer Latinx Representation

$
0
0
vida.jpeg

When’s the last time you’ve seen LGBTQ Latinx characters on television? (Okay, besides one of our favorite new shows, One Day at a Time.) Two points if they weren’t a filler side-plot, antagonist, or joke. In this new age of TV, inclusivity and well-rounded storytelling, it’s about time to see queer latinx representation on the small screen. STARZ brings us Vida to scratch that itch.

It all starts with two Mexican-American sisters who are forced to return home to Eastside Los Angeles for the funeral of their mother. Like a lot of our families, they are seemingly opposite and distant. The plot takes off as hidden family truths are uncovered, and thus begins the true drama. Their childhood neighborhood houses old and new love interests, family ties and secrets.

Starring Mishel Prada and Melissa Barrera, this colorful show dives into sexual and gender identity, Latinx community and family. Queerness is not shied away from or politely coded. Rather, it explores openly some of the messy, sometimes funny and complicated events that shape the lives of several of these LGBTQ+ characters.

Showrunner Tanya Saracho, best known for her credits on shows like Girls, Looking, and Devious Maids, has assembled an all Latinx writing room. Ser Anzoategui, a non-binary Latinx actor, plays one of the most prominent characters of the series. This is the type of bold representation we can get behind.

Don’t miss out on what I’m sure will be a long and titillating journey.

Vida premieres on Sunday, May 6th.

31466953_10156442829943489_4218078018372894720_n.png

Loudspeaker Review:: Remembering Pluto by Tyquan Morton

$
0
0
 Photo: Joe Visualss

Photo: Joe Visualss

A book of poems is always a journey. The goal of any good collection is to leave the reader mentally, emotionally and spiritually in a new place by the end of a book. In Remembering Pluto, Tyquan Morton’s projection for us is a much-needed and fruitful trek, a journey through our own personal galaxies.

In Morton’s debut collection, the planets of the solar system name the book’s chapters, where we begin at Mercury and end at Pluto. The voice of the collection moves seamlessly from discussing everyday microagressions and pain to the speaker declaring love to invisible entities like gravity, the lady of the moon or an absent father. Dimension and space are toyed with, even within the lines, as in these lines from Cupid from the Venus chapter:

“She looks down
& cries over what

used to be an ocean.
Opens her legs. Submerges

her fingers in an empty womb,
in search of an engagement ring”

Here, Morton conflates the big and small—the depth and scale of an ocean is now absent, and the intimate space of the womb is void of life. There is great care taken into these moments throughout the book, where however new these images appear, everything is just within reach.

51fD20M0GuL._SX322_BO1,204,203,200_.jpg

The pacing of the collection is slow and deliberate. Poems of existential concern follow poems recounting trauma or family memories. The planet chapters each create their own identity; or rather the poems within them speak to each other in their own language.

The Mars chapter spoke with a sense of violence and weight, with titles such as martians do not run away from fires, I’ve been shot, and You dropped a bomb on me. Saturn, however, seems more concerned with sensuality, sexual tensions and anxiety, while Uranus slows us down and requires a stiller, more patient listener. These poetic shifts are subtle, while the overall poetic voice remains focused and clear on its trajectory. There is a warmness and familiarity to this collection of planets. The book offers richness into the void.

When you see a star like this on your shelf, you reach out and grab it.


 

Avril Lavigne’s “Complicated” plays
at AFROPUNK FEST Atlanta & everyone sings
along & this is what it means to be black

& this is what it means to love. You hold my hands & kiss
them for the first time without conviction. Is my hand suppose to

cover yours or vice versa? I hold your breathe while you stand in
line, ordering us the blackest chicken & waffles I’ve ever

tasted. You come back & it’s hidden & you can’t find it &
maybe you forgot to ask because you know I’ll keep it safe.

This is radically beautiful & alternative. We sing together &
love with an echo & a silence & You become somebody else /

‘round everyone else / watching your back, like you can’t relax / You're
trying to be cool, you look like a fool to me.
I use to sing this

song like a sin at the bus stop on the iPod I stole & hid it in
the closet among other things. I kept the volume low &

when someone looked my way, I turned blacker and bluer &
hid my shadow under the moon. And you fall and you

crawl and you break / And you take what you get and you turn it into honesty.
This is the case for everyone here: radically beautiful &

alternative. We continue singing & loving our black & blue
bodies under the moon, Is my hand suppose to cover yours or vice

versa?
& this is what love feels like & to love & to be loved.

 

Tyquan Morton, born in Charleston, SC and currently residing in Jacksonville, FL, is a poet, an English teacher, and an anti-Sexual Assault and Domestic Violence advocate. He paints the world with words in attempt empower himself and anyone who’s willing to listen. Tyquan’s first book of poetry, Remembering Pluto, explores themes of joy and trauma, love and heartbreak, and what it means to be human again. Morton’s work has been published in the inaugural issue of The Good Juju Review and For The Scribes.

Something Smells Fishy: the Stinkiest Snatch Game in Herstory RuCap

$
0
0
Screen Shot 2018-05-07 at 4.13.38 PM.png

Snatch Game is usually the highlight of the season, but... *looks at the camera* America…. we’re in a slump and I don't see us getting out of it anytime soon.

Let’s spill some T and jump right into the shade!

 

Mini Challenge

Snatch Game means that we get my favorite mini challenge! YES HENNY! The library is open…. OFFICIALLY! The queens did an excellent job through the shade and letting each other have it. There were several LOL moments and a few that may go down as some of the best reads in Drag Race herstory!

 

Best Reads

“Miss Monet X Change. Ru, just an exchange? I would've asked for a full refund”

“Aquaria, people don't appreciate how much money you have to spend on your makeup, when your covering two faces”

“Vixen. Do you have a housekeeper, cuz girl, your kitchen is a mess!”

“Kameron Michaels, I really don't have a read for you, just please FUCK ME!”

“Monet X Change, Girl you know better to be black using hotel lotion”

The reads are so on point that it gave me hope that this Snatch Game was gonna be LIT…. but I was wrong, so wrong. Eureka ends up winning and is clearly separating herself from the pack. The other girls better wake up, because if they don’t, it's going to be a one woman show.

 

image4.gif

Maxi Challenge

Snatch Game had some good points, but overall was one of the worst snatch games ever. Season 9, you're safe bitch.

 

The Good:

Aquaria as Michelle Obama, I mean Melania Trump - She was quick, smart and came prepared with tons of mannerisms and gags. Aquaria has officially started to grow on me after Snatch Game.

Monet X Change as Maya Angelou - After Chi Chi’s terrible Maya, I was skeptical of her choice, but bitch TURNED it! The best part though was her soliloquy:

If these hoes try to come for me
I surely will cut thee
I will not hesitate to put thou in a ditch
‘Cuz Maya Angelou ain’t no punk bitch

Eureka as Honey Boo Boo - The gag with the marker was everything. Once I saw her covered in marker at the end, I was SOLD!!

 

The MEH:

image1.gif

Miz Cracker as Dorothy Parker - I am so disappointed in Cracker this week. As a self proclaimed comedy queen she really missed the mark. I was hoping she would have done Barbra Streisand.

Kameron Michaels as Chyna - She looked the part and the voice was sooooo right. She just isn't a funny queen and didn't know how to sell it.

Monique Heart as Maxine Waters - I WAS ROOTING FOR YOU... WE WERE ALL ROOTING FOR YOU…. HOW DARE YOU!!!!

 

The Ugly:

Asia O’Hara as Beyonce- I don't understand why these queens keep trying to make Beyonce and Gaga happen in the Snatch Game. Asia played it angry and mean. I have to agree with Ru, what does Beyonce have to be mad about? She's the queen of the world.

The Vixen as Blue Ivy Carter- This was just a mess. TBH it was one of the worst performances in Drag Race herstory.

 

image7.gif

Runway

The runway them of Mermaid fantasy was brilliant! This was one of the best runways of the season, but really RU? The wheelchairs felt really awkward.

 

The Tops:

Aquaria - The Exxon oil spill mermaid fantasy was incredible, and will honestly be one of my favorite runways of the season.

Miz Cracker - The viking mermaid barbie fantasy was incredible! She continues to SLAY the runway

Asia O’Hara - I loved the mask! I thought it brought  something extra to an otherwise very basic lewk.I couldn't stop laughing at the takes of her in the mask and she really saved herself from the bottom 2 with this lewk.


 

The Bottom:

The Vixen - I reallllyyyy don't hate anyone's runway, but Vixens was the weakest. The neck up was gorgeous, but that bodice was unforgivable.

 

image3.gif

The LSFYL

I have been waiting and waiting for a Carly Slay Jepsen song, and we finally got one of the best ones. Too bad the The Vixen and Monique didn't get the memo that “ Cut to The Feeling” is a banger! Monique didn't bother to learn the words or pretend like she did and Vixen just kinda rolled around on the ground the whole time. Honestly both of them could have gone home for that homophobic LSFYL. Carly, on behalf of the the LGBTQIA+ community: Im sorry girl.

My girl Monique ends up sashaying away and we say goodbye to one of my favorite queens. The Vixen is spared for now, but her days are numbered unless she learns how to step her pussy up and fast!

 

Stray Observations

Miss Vanjie has been gone since episode 1, but has been mentioned in every subsequent episode. That is what i call a LEGACY bitch!

Ru’s hair and makeup has come MILES since last season. It's good to also see her over that cold or whatever was going on in the first half of the season. I was worried we were werking her too hard, yall!

The Vixen up until this episode has been someone that I didn't have a problem with, but the way she through Eureka under the bus in front of the judges and the subsequent conversation that happened on the runway was cringeworthy.

I like that they brought back Bianca to act as a mentor for snatch game. I hope they keep bringing back Drag Race alum to be advisors. MORE ALYSSA EDWARDS PLEASE!!!

 

Why Gay Culture Feels So Shallow

$
0
0
 Logo's  Finding Prince Charming

Logo's Finding Prince Charming

When I complained about sexual harassment at a gay bar on my Facebook page, I got a variety of responses. Most of them positive, with the handful of “it’s your fault” or “you’re not that attractive” garbage responses. But there was one response that bothered me the most:

I have hardly any gay friends, not because I don't desire gay friendship, but because gay spaces are typically creepy, cliquey, and shallow as fuck.

I call this “The Highway Exit Effect”.

When you’re on a road trip, and you decide “oh shit, I’m hungry,” you likely stop at the first place at the nearest off-ramp; you may even get some variant of the most common meal. And what you end up with is terrible: something that tastes poor, is bad for your body, bad for the environment, bad for society, bad in almost every respect except some fast food company’s shareholders. The burger or taco comes with plenty of unnecessary waste, drives the wages down of the people who make it, furthers some pretty terrible environmental practices, and despite all the moral compromises, doesn’t even taste good.

The Highway Exit Effect is everywhere. The easiest and most accessible music is radio; the most popular station advertises “all the hits, none of the rap,” (except Macklemore), promising a stream of rehashed, bleached, overproduced garbage. It is elevator music for your car.

Microwaveable and other pre-prepared meals. The sound system on the front shelf of the electronics store. The omnipresent marketing of for-profit colleges. Whatever it is, wherever you are, the most accessible, most marketed Thing is probably also only surviving because it is also the most accessible, most marketed Thing. Even when it is garbage, even when it is overpriced, even when it is bad for you and everyone else involved.

tumblr_owa8pf35f81vfwsmuo2_500.gif

For queer people coming out and dipping their toe into the pool of LGBT culture, the result is inevitable: Their initial experience is usually bad, for the same reason that the first restaurant you stop at is bad. The path there is like the highway signs. Get the glossiest magazine on the corner, read the paid nightlife advertisements in between the paid advertisements for Look Young Forever, and spend your evenings in places where everyone ranks you from 1 to 10, sexual harassment is something you’re expected to enjoy, and circles of idiots form closed cells of dull conversation. And if you’re not white or a little heavy, God help you.

And thus, LGBT people come to believe their own stereotype. If straight people had a similar experience, and had to buy their way into expensive events to be around people like them, what would straight culture look like? Would they end up at Coachella? Where Teen Vogue pointed out last week that of 56 women randomly interviewed, literally all of them had been sexually harassed or assaulted?

"Of course sexual harassment happens here,” said Ana, 19. “It happens to us at all concerts. At Coachella it is so many people that men will get away with touching you, and they think we don't notice. It happened to me many times already, and I notice every time.”

“It never goes further than a touch on my butt or my back, but it’s not an OK place to be touched,” said June, 20. “Would you do that to a coworker? Or another guy? Then don’t do that to me. This is my third day, and it’s probably happened to me 40 times this weekend.

“All concerts” and “forty times this weekend”!

If there was a phenomenon keeping the Highway Exit Effect going, I would call it the Fishbowl Argument. (I feel like using capital letters for everything.) The Fishbowl Argument goes like this:

“Everywhere is like this.”

That’s it. That’s the fishbowl. Everything in gay Atlanta must be the few hundred gay people you see on Facebook. So let’s do some math!

Atlanta has a metro population of 5,800,000. If we estimate that 5% of them are queer, that’s 290,000.

About 15% of the population are men between the age of 20-39 on the US Census, so throwing aside the fact that Atlanta is a queer mecca and people move here for that reason (and it’s a city and would have a higher population of younger people) the absolute most conservative estimate of metro Atlanta’s young male queer population is 43,500 people.

  Cruising

Cruising

And yet, it doesn’t feel that way. Going out to the clubs and the parties that draw on the same few hundred people will cause you to repeatedly see the same few hundred (or couple thousand) people. Despite that, young gay men, especially, feel like they’ve met everyone, and that the pool of gay men in Atlanta is a pool, rather than an ocean.

The reason someone might not find themselves with any gay friends isn’t because 43,500 people are shallow, but because the most accessible and most marketed gay events and establishments and friend groups have a reflective periphery that makes the people inside feel like that’s all there is. The same places advertise the same events, the same people talk about the same places. It’s a Truman Show, for gays.

In tandem, the highway exit effect and the fishbowl effect form a prison for people first entering gay spaces. Rather than reaching an ocean of experiences and culture, they remain confined to reheated hamburgers and tacos and bad music and bad experiences and sexual harassment and body shaming and racism. It is a prison in which you are assigned a number based on your appearance, where the patios are full of closed circles of people who don’t talk to you, and where the posters only market parties that are more of the same. The advertisements for plastic surgery are about how to stay here forever.

The prison’s shareholders are the only people invested in the continuation of the enterprise, much like the shareholders of radio and McDonald’s. They are the people who profit from a stream of naifs to profit from or sexually harass. My proposal is hardly revolutionary--as revolutionary as avoiding microwaved meals--but the critique is always the same. “The author is just bitter.” Or: “He just isn’t attractive.” Or: “He doesn’t understand the importance of these gay cultural institutions.”

26167486_1817624898271874_5243770304301560050_n.jpg

Places where management and event promoters push back against consent, and condone racism, and happily continue the barrage of disembodied muscled torsos, are the McDonald’s of gay culture, just like McDonald’s is the McDonald’s of restaurants. They and theirs get angry when we don’t play along with their hegemony, particularly when you point out the obvious, which is that there are lots of other great places to be if you get away from the highway.

Like the societal costs of fast food, the cultural hegemony’s external costs are manifold. People believe that they don’t deserve autonomy over their own bodies when they go out to dance. People believe their worth is on a 1 to 10 scale. That they are less valuable because of their skin color. And worst of all: That this is all there is, and that this is gay culture, even when it’s really just a dismal pitstop.

Supporting events and spaces that are body positive, that are socially positive, that are consent oriented, that reject HIV stigma, and that are anti-racism, requires more work. It requires voting with your feet, and your eyes, and your money. But the hardest thing it requires is confidence--that you’re going to a place you haven’t been before, where there aren’t signs, and lines, and a glossy map. All of those directions are paid for by the self-hatred that perpetuates the adjacent plastic surgery ads and the alcohol that blinds it all out. Getting away from a pit stop only requires a few more miles down the road, but moving past over-marketed “gay culture” requires breaking through the curved reflective glass that warps your identity and self-worth.

But if you’re looking for where the real party is at, it’s where the rest of the 43,500 people are. Also the music is better.


The Ultimate Trans Girl’s Guide to Camming like a Pro - PART ONE

$
0
0
 PHOTO: Lily LeTigre (IG: @lily.letigre)

PHOTO: Lily LeTigre (IG: @lily.letigre)

The following guide was submitted by someone who chooses to remain anonymous.

It’s a turbulent time to be a sex worker. With the recent passing of the Sesta/Fosta bill, and the threat of FBI stings hanging ever over our heads, more and more trans sex workers are taking their art to the digital world.

Or maybe you’ve never escorted for a day in your life.

Maybe you're just sick of working for an endless series of transphobic assholes. Maybe it's that you cannot afford to save for your surgery on your current income. Or maybe you just want a new lifestyle that awards you the ability to work for yourself, when YOU feel like working.

Whatever the case--if you're here, it is probably because you are considering starting your career or part time job as a cam model. And we can help with that!

Before anything else, I want to invite you to practice self care above all things. This is of the upmost importance! Know your limitations and remember--

 

YOU CAN ALWAYS SAY NO!

YOU CAN ALWAYS TURN OFF YOUR CAMERA!

BLOCK HIM IF YOU MUST!
 

...A hot bath is always waiting <3

 

1) Make sure the lifestyle is for you before investing!

Not everyone has the spoons to be performing for a sea of problematic chasers on a daily or weekly basis. Before investing in a new streaming computer and fancy cameras and lighting, make sure you like it!

Make an account on Chatturbate or any old website that allows you to broadcast yourself in a slutty manner just to give it a test drive. Use whatever cheap equipment you can get your hands on. Don’t worry about making money just yet!

If you're having fun and enjoying the experience, maybe it’s the right lifestyle for you.

 

2) Investing in the proper equipment.

Being a successful cam model is about more than being talented as a sex worker. Having the right equipment in this industry is an absolute must if you have a desire to be successful and stand out from the competition.

 

a) Internet connection.

Research your area and ensure that you are paying for the fastest connection speed available in your area.

 

b) Computer

You want to invest in the absolutely nicest computer you possibly can, but for those who are starting on a budget, I would recommend visiting newegg.com and browsing their refurbished models. Buy no less than an i7 quad core with 8 or 16 gigs of ram.

 

c) Camera

This is simple--buy the one below and move on.

https://www.amazon.com/dp/B006JH8T3S?ref=yo_pop_ma_swf

The Logitech c920 is the industry standard. Anything less is a waste of your time. Alongside our other hardware recommendations, this camera is fully capable of streaming in 1080p HD.

 

d) Lighting

Many girls will try to steer you toward fancy stage lights. This is perfectly ok as a long term investment choice, but for many, they are absolutely unnecessary. I use a combination of Christmas lights, an overhead room light with an led bulb whose light was filtered by a pink shirt, a desk lamp, and a very large monitor that sent white light directly at me to come up with the combination that I felt the most passable and pretty in.

 

3) Familiarize yourself with the websites

I have worked on literally every website that allows trans women to enlist. Many do not. Transphobia is a bitch. That said, there are only two that I recommend.

 

a) Streammate

On this site, all of your shows are private or exclusive. You are NEVER naked without pay. Private shows are very expensive for clients and very labor intensive for performers. As with all camming sites, Streammate takes the lion’s share of your earnings. But there are well more than enough coins left behind to live comfortably after what they take.

I personally charge $3.99 a minute (yes, a minute), per person perform for a room of johns.

It goes something like this--I am in my lobby, flirting with a handful of johns. One John decides he likes me and takes me into a private show where he is paying 3.99 per minute of viewing. I begin to strip and interact with him in a sexual manner. Another john then joins and begins watching. He is now also paying $3.99. Another joins. The first leaves. The second leaves. Two more join for another few minutes. Everyone ultimately leaves and I return to my lobby to flirt and reel another john in to repeat the process.

For exclusive shows on SM, I charge 7.99 a minute to chat. These shows are entirely one on one.

In both private and exclusive settings, the johns will be very demanding. The difference is that in a private show, the johns know that you are juggling multiple requests and are often more patient. In an exclusive show, they expect their demands to be met, and in a hurry, as they are paying a premium rate for your time. I do my best to make an impression in every show, but I am particularly attentive to detail in my exclusive shows.

Again--on this site, your clients will demand a great deal of specificity, ie "I want you bent over with a toy in your butt." "I want you riding your toy and masturbating." "I want you to top me." Etc.

I’ll get into the specifics of how to handle requests such as these in the performance section of this guide.

 

b) Chaturbate

The second site that I recommend is free for any given user who chooses to log on. Payment is not guaranteed, and a client base must be established before you are to be successful; however, the power rests overwhelmingly in your hands as a performer to bend the flow and shape of your show.

On CB, you are performing for somewhere in the ballpark of 50-500 people at a time depending on the quality of your show and have complete autonomy over what you are doing with your time. The viewers get to choose whether or not to tip. You coax tips by creating goals that cost a certain number of coins for your viewers.

Lots of people will steadily drop 1-10 dollars over your head in the form of tokens, and eventually big tippers show up if you hang around for a few hours. This sort will shower you in coins in exchange for your attention. I charge around 20 dollars (in tokens) to remove pieces of clothing one by one, $100 to play with a toy for 10 minutes, and ultimately offer a show that results in my orgasm for 100-200 dollars.

CB is infinitely more user friendly than streammate in terms of the demands that are being put on you by johns. You have complete autonomy and spend significantly less time with a dildo in your ass or pretending to finger yourself and much more time being flirty and coaxing tips. Many will find the freedom associated with this site greatly rewarding.

That said, many will find the built in applications such as "tip king" and "tip goals" to be complicated and frustrating. First time users of CB are highly encouraged to look up a guide for these specific nuances as they are critical to effectively working an audience.

Note that the money-making potential of sites like Streammate that offer private shows only is often much higher depending on your particular style. That said, I would suggest that new girls start on a site like Chatturbate. Streammate’s private and exclusive only model can be extremely demanding and requires that you stay in perpetual motion. The constant demands can be overwhelming for first timers.


Stay tuned for Part 2 of The Ultimate Trans Girl’s Guide to Camming like a Pro where we discuss PERFORMANCE and CAMERA TRICKS & TIPS!

American Horror Story: Cher Edition or RuPaul's Drag Race S10E08

$
0
0
Screen Shot 2018-05-14 at 10.48.54 AM.png

After last week's episode I was ready to Xchange, but after this week... OH HONEY, I want a full refund.

This season is stuck in a rut, and I don't think were getting out of it y'all. I seriously feel like Coco Montrese during her verse of Can I Get An Amen?

Yes that's right, I lost all damn hope today.
 

Mini Challenge

Screen Shot 2018-05-14 at 10.45.07 AM.png

I am a firm believer that we have been transported to an alternate universe, but in this universe the mini challenges are actually the highlight of the episode and the maxi challenges are the Serena Cha Chas of the world. I don't know how we got here, but y'all… I JUST WANNA GO HOME!

“Slap Out Of It” may be the lowest budget mini challenge ever on Drag Race, but it was also one of the best. Ru essentially fake slaps the shit out of the queens, but it's up to them to sell the slap with a witty one liner!

Standouts

image5.gif

Kameron Michaels - “They call you mother, but at your age, shouldn't they call you grandmoth….” Kameron finally is waking up and I'm happy to see it, because I love the dichotomy of her drag style.

Monet X Change - “You wear it...welllllllllll…..?”

Asia O'Hara - “You hit like a girl -- too bad you don’t look like one” This propels Ru to ACTUALLY HIT ASIA, and give us what will probably go down as the most iconic moment of the season…. “ THIS WHOLE BUILDING IS ABOUT TO BE MINE…. IT'S ABOUT TO BE ASIA O'HARA’S DRAG RACE!!!”

Asia obviously wins the Mini Challenge and is if only momentarily redeemed from that tragic mess that was Snatch Game.

 

image9.jpeg

Maxi Challenge

For this weeks Maxi Challenge the queens must sing live for Cher! The Unauthorized Rusical…..or as I like to call it Cher! The Underwhelming Meh-sical. This was the worst musical in 10 seasons of Drag Race. 

 

The Tops

image7.jpeg

Kameron Michaels - Anyone who opens the damn thing, already has one point for me and to then go out and SELL IT! YASSSSS!

Monet X Change - She was the best Cher. If it weren't for that lazy ass runway she would have won.

 

The Bottoms

The Vixen - Girl, there was zero Cher in that performance.

Asia O'Hara - I dunno what has gotten into Asia the last two weeks, but with Monique gone, I'm gonna need my other favorite to step her pussy up... ASAP!

Eureka - SHE DOESN'T HAVE THE FUCKING RANGE! Ru...if yall dont stop feeding us Trump worthy lies and bullshit. It's not factual, its not the T and it's not what America needs right now.


 

Runway

The runway theme is glitterific, and honestly it's one of the best runways of the season, with me only really having one bottom, and the rest were really damn good.

 

Tops

image3.gif

Miz Cracker - MICHELLE VISAGE, SHUT THE FUCK UP ABOUT A GODDAMN LASH! That look was giving me Bond villain meets Mcqueen. It's one of the best runways of the season, and honestly I can't wait to see what she pulls out next. I'm a Stan.

Kameron Michaels - Kameron is firmly in my top 3 now, and i hope this momentum continues, because she is impressing the hell out of me right now.

Aquaria - As much as it pains me to say, that bitch turns it every damn time.
 

Bottom

Monet X Change - GIRL, NO! That was your damn win and you handed it over with that sloppy ass bodysuit. The neck up was a 10, but the neck down was a -50.

Kameron ends up winning thanks to Monet’s tragic runway. The Vixen and Asia find themselves in the bottom 2 and must LSFYL.
 

Screen Shot 2018-05-14 at 10.47.34 AM.png

LSFYL

Asia won the lip sync in the first 10 seconds, and Vixen never stood a chance. The two maybe newly found sisters, but Asia made it clear during the lip sync that she did not come to play games with these hoes. The Vixen ends up sashaying away, and honestly this season won't be the same without her. Not that she's the one that “starts drama” or is “ so confrontational”, but rather shes calls it the way it is, and i found myself agreeing with here 90% of the time.

 

Stray Observations

- Asia and The Vixen's conversation was the tear jerker of the season for me. It was an important conversation that the gays needed to see to understand where The Vixen is coming from. Asia has sealed her place in my heart, and has that motherly essence that Ru has. TBH I hope she wins even though she had a rough week -- she still did it with so much poise and grace.

- The workroom doesn't feel the same without Monique. I really miss her and hope that she comes back for All Stars.

- I was super stoked to see Billy Eichner on the show as he is one of my favorite people in the world, but he was so lackluster y'all. He had one good joke, and the rest of the time he was just…..there. Abbi and Ilana are the guest judges next week and I am praying to Gaga that they redeem the guest judges this season.

 

Shakedown Documentary Transgresses Labels & Documents Underground LA Club Scene

$
0
0
 Still from  Shakedown

Still from Shakedown

The weather lately indicates that summer may come early and once again things are heating up in the A! Attempting to move past our woes in politics and entertainment alike, the party must keep going. Queer culture is continuously making strides, even in moments of duress. As part of a summer film screening series, Bodies On Display and MORPH have joined forces for the Atlanta premiere of Shakedown—a film by Leilah Weinraub showing at Midtown Art Cinema, in a one night only Midnight Screening on May 25.

Most notably known as CEO of the on-hiatus fashion brand Hood By Air, Weinraub has been tinkering in another medium: film-making. Shakedown is the culmination of 400+ hours of behind the scenes footage, interviews, and on site performances of black lesbian strippers after the turn of the millennium in the L.A. underground club scene. It’s an important document of a time long lost, yet specifically relevant to the issues we face today as capitalism continues to grin it’s pearly teeth.

The film is a subjective view of the interpersonal relationships between the creators and the performers of a successful party run by Ronnie-Ron. It doesn’t hold back on the explicitness of dancing nude for money. Shakedown threads a needle between the art of drag and the intensity of performance as labor. There are moments of fantasy, illusion, realness, and quite honestly the horrors of life. The personalities portrayed in the doc present varying degrees of the gender spectrum, from masculine to feminine sprinkled with studs and hyperfemme goddesses. A beautiful prospect of the club night is the celebration of sexuality, notably bisexuality, as several party goers muse. There is a necessity to showing this lifestyle in images in a time when the need for them is critical, but Shakedown possesses something more significant—liberation.

 Courtesy of Leilah Weinraub

Courtesy of Leilah Weinraub

One of the most affecting laws of the current administration's agenda (there’s more than one) is SESTA/FOSTA, a series of bills that attack customs pertaining to the use of the internet by aiming to censor sex related formats. The bills’ stance reverberate to contemporary sex work which depend on verification processes that were previously unavailable. The serious effects of these changes have yet to transpire so there is still hope for protection of sex workers from threats to their livelihood. As Shakedown depicts the struggles that strippers face, it seems timely that its arrival comes at a moment when censorship runs amok. The fixation on control of womyn’s bodies is still something that must be derailed head on.

In a city that is known for its strip clubs and not so progressive ideas of queer identities, this film is highly topical. The glitz and glamour of neon lights and pouring cash should enable the community to demand more—it’s only just begun. So please join us for a night of ecstasy with real life implications!

*There will be a post screening discussion reserved for those who wish to participate.

Tickets On Sale Now: $11
 

ENTER BELOW FOR THE CHANCE TO WIN A PAIR OF TICKETS

Name * Name
Thank you!

--

Bodies On Display is a curatorial project on Gender and Sexuality in Visual Culture. It aims to highlight the intersections between erotic art, pornography, fetish, and performance. The next screening will be Bruce LaBruce’s The Misandrists playing June 15, 2018 at The Plaza Theater.

MORPH is the Atlanta club night that has become one of those safe spaces against both bigotry and by-the-numbers club music. Their next event is May 16, 2018 at Soundtable.

 

Breastworld: The RuCap

$
0
0
Screen Shot 2018-05-18 at 11.15.24 AM.png

Is it just me or does anyone else feel like this season has been going on for years?

I for real feel like old lady from the Titanic...it's been 84 years, bitch!

Let's throw some shade and spill some T on episode 9, or as i like to call it Restworld: where all the queens just rest through the episode.

 

Mini Challenge

Screen Shot 2018-05-18 at 11.11.57 AM.png

The mini challenge this week was a huge letdown. The mini challenges have been great because we get to see the queens' personalities, but in this mini challenge, they weren't allowed to do so. The queens must match pairs of Rounderbum underwear that the Pit Crew and co are modeling.

I dunno about y'all but I have a couple issues with this mini challenge. From the unrealistic bodies of the pit crew (seriously Ru can we please get one guy that is a little thicker?) to the terrible “butt-lifting technology” in the ill-fitting underwear, this was the worst mini challenge of the season. Andy Cohen, you’re safe.


 

Maxi Challenge

Screen Shot 2018-05-18 at 11.20.50 AM.png

The Maxi Challenge this week is to act in a parody of my favorite show of 2017… Breastworld. This was one of the most catastrophic trainwrecks of an acting challenge, the likes of which we haven't seen since….well….weeks ago during Fibster.

 

Tops

Asia O'Hara - As Para Sailin, she brought much needed energy to a lackluster acting challenge.

Monet X Change - Monet was able to insert herself into the challenge and really shines again. She’s on a hot streak, but i just wish her runway would match the talent she's giving in the Maxi challenges.

Aquaria - Y'all, I’m a fan... officially. She grew on me a lot this episode, but what sold it for me was taking her very small part that she dealt to herself, and absolutely SELLING it!

 

Bottoms

Miz Cracker - Girl. You in danger. I need my Cracker back, ASAP!

Kameron Michaels - Acting is clearly not a strong suit for Kameron, but girl you gotta give us something!

Eureka - If the producers don't start giving us a damn factual edit of Eureka... She needed the most coaching for one of the smallest roles, and tbh she should have aced this challenge.

 

Runway

Screen Shot 2018-05-18 at 11.16.19 AM.png

The Runway category this week is Drag in 2069 realness. There were some hits, and then some swings and a misses this week.

 

Tops

Miz Cracker - Not that she needed to be clearly safe this week, but the Upper East Side Lady who may or may not work for a very famous fashion publication lewk was everything. She is nothing if not consistent on that runway.

Screen Shot 2018-05-18 at 11.18.59 AM.png

Asia O'Hara - I totally bought what she was going for and really do see here walking around like that at Dragcon 2069 hawking her fanny packs to the masses.

 

Bottoms

Eureka - I didn't know that Paula Deen was staring in the Hocus Pocus remake.

Aquaria - That lewk won next seasons challenge of hipster grandma realness, but for this runway it was a miss.

Monet - Girl. RuPaul done told you a million times to get bigger hair, and then you come out like that? If it was my ass I would be stacking all of the wigs so high that shit can't fit through the werkroom doors.

Asia ends up being the winner of the week thanks to another major swing and a miss for Monet on the runway. Kameron and Eureka rightfully end up in the bottom two and must lip sync.

 

LSFYL

Screen Shot 2018-05-18 at 11.20.19 AM.png

Right from the jump you can tell that both girls REALLY want to stay. For me, this came all down to the performance of the song. I thought that Kameron embodied the spirit and energy of the song way better than Eureka did. My eye kept going to Kameron, I wanted to see what she was going to do next, and that's how you win a lip sync. Kameron clearly won the lip sync in my eyes, but I am not RuPaul or a producer team the loves Eureka so...

To be fair, both girls end up slaying and Eureka proved that knee aint shaky dear, in what was one of the better lip syncs of the season. I still think if you were going to do a double shantay, it should've been with Dusty and Monet so that girls earlier in the season get a better chance to shine and Ru-deem themselves.

 

Stray Observations

  • Abby and Ilana have fully redeemed the guest judge role from what was that homophobic Billy Eichner  we got last week.

  • The Vixen presence might have been what was keeping the show together, because I dunno bout y'all but I felt like that episode took 4 hours to get through.

  • There's no new episode this week. The rest of this season will mostly play out in June with the finale airing on the 28th. Just 5 more episodes in what feels like the longest season ever.

Queer Movements: Forging Self and Community in Anti-Queer Landscapes

$
0
0
 PHOTO: Charles O'Rear

PHOTO: Charles O'Rear

The drive from Frederick, Maryland to Roanoke, Virginia is a nearly straight shot down I-81, bypassing Morgantown, Harrisonburg, and dozens of sleepy cow fields. South of Harrisonburg, the landscape starts to swell. Rolling mounds and knolls grow into the lush, muscled ridges of The Blue Ridge Mountains—a sight unforgettable, even for someone who was born in the shadow of the Rockies. In late summer of 2012, I witnessed this transformation en route to my first semester of college. Seeing the mountains rise above the highway—formidable and unfamiliar—I felt that everything was becoming possible. I was starting something new, and, for the first time, I was starting on my own. There was no precedence for my arrival, and no expectation.

This wasn’t the first time I longed for new beginnings. For me, trauma has always taken up physical space. I struggle to drive by the road in my hometown where I was sexually assaulted, as if the memory is still alive in one of the old farm houses that line its twists and turns. When I walk into my childhood bedroom, the years I spent in a depressed fugue feel embodied there, like apparitions sulking in the corner. To be liberated from these spaces often feels, deceptively, like deliverance from the hurt I experienced in them. So, when I moved several hundred miles away for college, I expected the distance to heal me. And, for several months, it seemed to work. The friends I made knew nothing about my past. Nowhere I stepped foot felt haunted or heavy. I was, at last, free.  

Feeling disentangled from my past inspired me to take a closer look at my identity. If I wasn’t the culmination of old traumas trapped in familiar places, who was I? As college students do, I began to fixate on self-discovery. But, unlike many of my private school peers, I didn’t “find myself” drinking wine on the El Camino or backpacking through New Zealand. Instead, I began another kind of journey: acknowledging repressed queer desire. And, just like that, the liberation I had savored on my arrival was weighted by a growing anxiety. What now?

Realizing that I was a queer complicated what it meant to be free. On my rather homogenous campus, I didn’t yet feel ready to come out—even as the want to do so grew more and more pressing. I had no community of queer friends, and I regularly encountered homophobia, transphobia, and bigotry. I met men who told me about how much they loved watching lesbian porn and then asked me, sordidly, if I liked kissing girls. I met other women who feared proximity to lesbians. I met countless people who leveled misogynistic insults at feminine men, transfeminine people, gender nonconforming students and faculty, and women who called themselves feminists. And though I was typically outspoken and unabashed about my sexual politics in class, knowing many of my classmates thought this way convinced me that it was best to keep the personal out of the political. Increasingly, the new home that had seemed so open and possible at first felt closed and inflexible. Once again, I was haunted. But this feeling had no external space to belong to—it came with me everywhere, and I couldn’t displace it.

Ultimately, it took years to claim a home for myself in Roanoke. I graduated from college, I joined activist groups to connect with other queer people, and I delved deep into my region’s local LGBTQ history. Through exploring queer ideas of place and embodiment in Southwest Virginia, I developed an appreciation for how I—a queer women living in the 21st century—fit into a broader historical narrative about identity, community, and liberation. I walked in Roanoke’s Highland Park and thought about the queer people from decades past who used this green space as a meeting point—for conversation, for romance, for gay sex. I stood in the gravel parking lot on the side of my house and looked out on the vacant field behind it, where, more than fifty years ago, Roanoke’s first gay bar “The Trade Winds” was established as a covert space for drinking, dancing, and drag shows. I thought about Old Southwest, the inner-city historic neighborhood where I rent my house, and the numerous gay activist groups who turned these hilly streets into a bonafide “gayborhood” back in the 1970s. With this legacy before me and a dedicated community of modern queer residents beside me, I have grown to love Roanoke—not despite my queerness, but because of it. After spending hundreds of hours searching for a subversive undercurrent in the Appalachian Mountains, I found the smoke of a queer liberation movement smoldering right beneath my nose.  

The time and effort it took to find this community makes it difficult to imagine leaving Roanoke anytime soon. Really, I’m scared to leave. In cities and towns across the U.S and the world, large swaths of the population remain hostile to queer people and queer politics. Even supposed safe spaces—urban hubs and metropolitan progressive enclaves—remain vulnerable to anti-queer violence. Yet, I am in my early twenties, and the potential danger of exploration does not deter my drive to explore. In fact, next fall I’m moving once again—this time to start graduate school in Indiana. Anyone who’s thrown themselves into the tide of academia knows well that, when it comes to geography, most grad students and PhDs find themselves anywhere there’s a job or ample funding opportunities; this could mean in the middle of New York City (unlikely), or (more realistically) in the stark center of a midwestern corn field. The latter is where I’m headed come August: Indiana, also known as Mike Pence’s home state and a stronghold for the moral majority—not the first choice of locale for an unabashed sodomite, to say the least.  

As I prepare to relocate, I must ask myself more than the usual logistical questions. I wonder how safe I will feel as a queer person walking around my new campus or on the streets of my new town. Will I have allies to help me navigate instances of bigotry? Will people gawk at my hairy body? Will my transfeminine lover be welcomed by new friends and colleagues? Will we be threatened by neo-fascists groups, such as the one that hung up white supremacist flyers around Purdue’s campus in 2016?

To me, these are new anxieties—ones I’ve had to navigate since coming out and realizing that anti-queer antagonism can make even the most open public space feel like a battle ground. In more conservative and rural areas of the country, this antagonism is bolstered by a permissive culture that often forgives and even defends violence against any group that challenges heteronormative, white supremacist hegemony. The thought of carving another affirming, safe, and supportive home into this tapestry of obstacles makes me feel angry and exhausted. When I was a child, I imagined myself being able to move anywhere and fit in with the dominant character of the town, the people, the institution. In hindsight, I know that this was a privileged assumption. I overlooked how my whiteness and my middle class upbringing entitled me to a sense of safety and belonging that non-white Americans, queer Americans, and impoverished Americans are routinely deprived of. Now, I see how the “dominant character” of most places relegates a shamefully large portion of the population to the margins, while ignoring the most vulnerable among us altogether.

Still, having already labored to find/build a queer community in Southwest Virginia, I know that this work is possible, important, and necessary. I know I will likely have to bash against the inflexible frame of wherever I end up to make myself fit, but I also know that I am not the first. Everywhere—from Indiana to The Blue Ridge Mountains—there have long been other queer people fighting much harder than I’ve had to fight to create space for my arrival. These queer people—often poor, isolated, and variously marginalized—laid the foundations that make it possible for me and my queer family to aspire to live safely and openly wherever we go. I owe it to this history to keep fighting, to be confrontational and steadfast, to take up space and create what has not already been built. In Roanoke, I met people who made this endless work seem like a radical act of love. It will be heartbreaking to leave, but, wherever I go, I carry with me their storied seeds of rebellion.  

----
 

RM Barton is a writer and activist living in Roanoke, Virginia. Originally from Maryland, she moved to Southwest Virginia for school some five years ago, and has since become invested in queering southern space. She is the co-lead of The Southwest Virginia LGBTQ History Project and the publisher of The Southwest Virginia LGBTQ History Project Zine, which aims to illuminate queer history through queer art and storytelling. She blogs at rmbartonblog.wordpress.com

Viewing all 865 articles
Browse latest View live